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Zindagi tang hai

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“Chandrakanta” (1956) was a Sippy Films production movie. It was produced and directed by G P Sippy. The movie had Bharat Bhushan, Bina Rai, Johny Walker, Bipin Gupta, Hiralal, B M Vyas etc in it.

Six songs from this movie have been discussed in the past. Here is the seventh song from the movie. This song is sung by Rafi, Asha Bhonsle and chorus. Sahir Ludhianvi is the lyricist. Music is composed by N Datta.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

Lyrics of this song were sent to me by Avinash Scrapwala.


Song-Zindagi tang hai (Chandrakaanta)(1956) Singers-Rafi, Asha Bhonsle, Lyrics-Sahir Ludhianvi, MD-N Datta
Chorus
Both

Lyrics(Provided by Avinash Scrapwala)

Zindagi tang hai ae
zindagi tang hai
zindagi tang hai

mere sheron uthho
ae daleron uthho
dharm ki jang hai
zindagi ee tang hai
zindagi tang hai

buzdilon ki tarah hum bahut ji liye
hum bahut ji liye
khoon ke ghoont hamne bahut pi liye
bahut pi liye
jo na hona thha wo zulm bhi ho chukaa
apni dharti pe aakaash bhi ro chukaa aa
ho o o
mere sheron uthho
ae daleron uthho
dharm ki jang hai
zindagi ee tang hai
zindagi tang hai

apni talwaar phir se sambhaalo zaraa
sambhaalo zaraa
apne nejon ko phir se uchhaalo zaraa
uchhaalo zaraa
kiski himmat hai jo aaj roke hamein
kisme jurrat hai jo aaj tokey hamein
O o o
mere sheron uthho
ae daleron uthho
dharm ki jang hai
zindagi ee tang hai
Zindagi tang hai

hum akele nahin kaafile saath hain
kaafile saath hain
himmatein saath hai
hausley saath hain

hausley saath hain
dharti mataa ke dil ki duaa saath hai
apne bhagwaan ka aasra saath hai

O o o
mere sheron uthho
ae daleron uthho
dharm ki jang hai
zindagi ee tang hai

zindagi tang hai

tumko tum sabke bhagwaan ki hai kasam
bhagwaan ki kasam
devtaaon ke apmaan ki hai kasam
apmaan ki kasam
Rajmahalon se ab roshni chheen lo
maut ke haath se zindagi chheen lo

O o o
mere sheron uthho
ae daleron uthho
dharm ki jang hai
zindagi ee tang hai

zindagi tang hai

zindagi tang hai ae
zindagi tang hai
zindagi tang hai

mere sheron uthho
ae daleron uthho
dharm ki jang hai
zindagi ee tang hai
zindagi tang hai

nanhi laashon se behte lahu ki kasam
Lahu ki kasam
kunwaari ablaaon ki aabru ki kasam
aabru ki kasam
Maaon behnon ki bechaargi ki kasam
Maaon behnon ki bechaargi ki kasam
aa aa aa aa
tumko tum sab ki mardaangi ki kasam
tumko tum sab ki mardaangi ki kasam
aa aa aa aa
jo bhi hona hai wo aaj hokar rahe
khatm anyaay ka raaj hokar rahe
ho o o
mere sheron uthho
ae daleron uthho
dharm ki jang hai
zindagi ee tang hai

zindagi tang hai

Laanat hai us maata par
jo kaayar poot jane
Laanat us patni par
jiska pati ghulaam bane
Laanat us talwaar pe
jo na paap ke sar pe tane

Laakhon ablaaon ki laaj khatre mein hai
Laakhon behnon ka maan aaj khatre mein hai
Draupadi de rahi hai duhaai uthho
aaj Sita hai dukh ki sataayi uthho

Bhim Arjun ke sache sapooton uthho
ghor kalyug mein satyug ke dooton uthho
Kans ka raaj jag se mitaane chalo
aaj Raawan ki lankaa jalaane chalo
aaj Raawan ki lankaa jalaane chalo



Aa lag ja galey mere lehraa ke

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“Agar” (1977) was produced by Mohan Rao and directed by Esmaayeel Shroff. The movie had Amol Palekar, Zarina Wahab, Kader Khan, Vijayendra Ghatge, Tuntun, Jaagdeep, Gulshan Bawra, Roodi Berde, Brahm Bhardwaj, Krishan Dhawan, Viju Khote, Manmohan Krishna, Dr Shreeram Laagoo, Keshto Mukherji, Maruti Rao etc in it.

One song from this movie has been discussed in the past. Here is the second song from the movie. This song is sung by Rafi and Asha Bhonsle. Gulshan Bawra is the lyricist. Music is composed by Sonik Omi.

Only the audio of this song is available. I had watched this song in night show during its first (and only) run. The movie flopped big time. And I do not remember much about the movie except that it was suspense movie. I had watched another movie called “Shaque” during the same time and I tend to confuse between the two movies. I request our knowledgeable readers to throw light on the picturisation of this song.

PS-It turns out that the video of the song is also available. The picturisation shows husband Amol Palekar suspecting his wife Zarina Wahab and imagines that she is romancing with Vijayendra Ghatge. I thank Prakashchandra for the video link and other details.

Audio

Video

Song-Aa lag ja galey mere lehra ke(Agar)(1977) Singers-Rafi, Asha Bhonsle, Lyrics-Gulshan Bawra, MD-Sonik Omi

Lyrics

aa lag ja galey mere lehraa ke
aa lag ja gale mere lehraa ke
koi shiqwa gila na rahe ae
koi shiqwa gila na rahe ae
main bhi nainon ki bhaasha samajhti hoon
main bhi nainon ki bhaasha samajhti hoon
aa gayi hoon tere bin kahe
aa gayi hoon tere bin kahe

aa lag ja gale mere lehraa ke

teri zulfon ke saaye mein guzren jo
din wohi to haseen zindagi ke hain
teri zulfon ke saaye mein guzren jo
din wohi to haseen zindagi ke hain
teri baahon ke ghere mein beete jo
bas wahi pal to meri khushi ke hain

ho gaya faisla do dilon mein
ho gaya faisla do dilon mein to
ho gaya faisla do dilon mein to
faasla phir bhala kyun rahe ae
faasla phir bhala kyun rahe ae
main bhi nainon ki bhaasha samajhti hoon

is milan ki jise bhi jalan hogi
aur bhi mil ke usko jalaagyenge
is milan ki jise bhi jalan hogi
aur bhi mil ke usko jalaagyenge

pyaar ka dard hota hai kuchh aisa
aur badhta hai jitna dabaayenge
jo bhi hona thha wo ho gaya hai
jo bhi hona thha wo ho gaya hai ji
jo bhi hona thha wo ho gaya hai ji
ab zamaana ye kuchh bhi kahe ae
ab zamaana ye kuchh bhi kahe ae

aa lag ja gale mere lehraa ke
aa lag ja gale mere lehraa ke
koi shiqwa gila na rahe ae
koi shiqwa gila na rahe ae
main bhi nainon ki bhaasha samajhti hoon
main bhi nainon ki bhaasha samajhti hoon
aa gayi hoon tere bin kahe ae
aa gayi hoon tere bin kahe ae

aa lag ja gale mere lehraa ke


Laage karejwa teer sakhi sun baansuriya

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“Rangeela” (1953) was produced and directed by Bhagwan. The movie had Bhagwan, Purnima, Baburao, Indira, M. Kale, Badri Prasad, Vivek, Inamdar, Nazira etc in it.

Four songs from this movie have been discussed in the past.

Today (12 april 2014) is the 35th death anniversary of Jamal Sen. On this occasion, here is a song from “Rangeela” (1953). This song is sung by Asha Bhonsle, Rafi and chorus. Ehsaan Rizvi in the lyricist. Music is composed by Jamal Sen.

Only the audio of this song is available. According to Rafi excel sheet, this song is picturised on Bhagwan and Purnima.

Lyrics of this song were sent to me by Nitin Shah.


Song-Laage karejwa teer sakhi sun baansuriyaa (Rangeela)(1953) Singers-Asha Bhonsle, Rafi, Lyrics-Ehsaan Rizvi, MD-Jamal Sen
Chorus

Lyrics(Provided by Nitin Shah)

laage karajva teer
sakhi sun baansuriya
laage karajva teer
laage karajva teer
sakhi sun baansuriya aa
laage karajva teer

main to ho gayi baavri ee ee
main to ho gayi baavri
man se nikle haay ri
haay ri ee
tadpan laagi saanvri ee
tadpan laagi saanvri ee
sudh bisraaye
sudh bisraaye ae
sudh bisraaye
laage karajva teer
sakhi sun baansuriya aa
laage karajva teer

bansi jo bajaaye
daudi daudi jaaye
bana hai albela
hoye mera man gaaye ek nahi aaye
kaisa jhamela
o laala kaisa jhamela
o laala kaisa jhamela
dekhe nahin sune nahin haan
arre dekhe nahin sune nahin
man ki mere peer
man ki mere peer

laage karajva teer
sakhi sun baansuriya aa
laage karajva teer

khoti teri preet hai ae
khoti teri preet hai
apni apni reet hai ae
reet hai ae

tu garaj ka meet hai ae
tu garaj ka meet hai ae
laage karajva teer
sakhi sun baansuriya aa
laage karajva teer


Nainon ke teer jidhar toot padey

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“Halla Gulla” (1954) was produced and directed by Bhagwan. The movie had Bhagwan, Shakila, Sajjan, Baburao, Leela Gupte, Leela Gandhi etc in it.

Here is the third song from this movie to appear in the blog. This song is sung by Asha Bhonsle and Rafi. Saba Afghani is the lyricist. Music is composed by Nisaar Baazmi.

Only the audio of this song is available. According to Rafi excel sheet, this song is picturised on Shakeela and Sajjan. Perusal of the sheet reveals this interesting inormation that the movie had not one or two or three but as many as nine Rafi-Asha Bhonsle duet songs in it ! And these songs were picturised on different combination of actors, viz Bhaagwan / Sajjan (lip syncing in Rafi’s voice) and Leela Gandhi/ Leela Gupta/ Shakeela (lip syncing in Asha Bhonsle’s voice).

Lyrics of this song were sent to me by nahm.


Song-Nainon ke teer jidhar toot pade (Halla Gulla) (1954) Singers-Asha Bhonsle, Rafi, Lyrics-Saba Afghani, MD-Nisaar Bazmi
Female chorus,
Male chorus,
combined chorus

Lyrics(Provided by nahm)

Ho o ho o
nainon ke teer jidhar toot pade
haay
thham ke dil baitth gaye bade bade
nagar nagar dagar dagar
idhar udhar
nagar nagar dagar dagar
idhar udhar

aise teeron se to na aa
ham ghabraayen

aise teeron se to na aa
ham ghabraayen

ho ooo
dekhi hai ham ne
badi badi adaayen

o badi badi adaayen
o badi badi adaayen
aisa na ho ke abhi
hosh chale jaayen
aisa na ho ke abhi
hosh chale jaayen

wo kaise
nainon ke teer jidhar toot pade
thham ke dil baithh gaye bade bade
nagar nagar dagar dagar
idhar udhar
nagar nagar dagar dagar
idhar udhar

aise kahaan se aaye
tum matwaale
aise kahaan se aaye
tum matwaale

ho oo
ham ko jo dekhe
wo dil apnaa sambhaale

aji dil apnaa sambhaale
aji dil apnaa sambhaale
kis ki majaal hai jo
ham pe nazar daale
kis ki majaal hai jo
ham pe nazar daale

kyun
nainon ke teer jidhar toot pade
thham ke dil baitth gaye bade bade
nagar nagar dagar dagar
idhar udhar
nagar nagar dagar dagar
idhar udhar

loote jo koyi hamen
khud lut jaaye

loote jo koyi hamen
khud lut jaaye

o aise ko gale pade
koyi na haay
o gale pade na haay
o gale pade na haay
jaise ko taisa mile
tabhi mazaa aaye

jaise ko taisa mile
tabhi mazaa aaye

ab na kehnaa
nainon ke teer jidhar toot pade
thhaam ke dil baitth gaye bade bade

nagar nagar dagar dagar
idhar udhar
nagar nagar dagar dagar
idhar udhar


Sinh ki hunkaar le

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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA – GOLDEN 50s (Pushp-8)
————————————-

Indians simply love Festivals. If you see carefully, almost throughout the year, some or the other Festival or an important day is being celebrated somewhere in India. For example, take a look here…

Month Festival
January Makar Sankranti-Kite Festival
February Mahashivratri Festival
March Holi celebrations
April Ram Navmi,Hanuman Jayanti and various New Year days in different states
May Budha Purnima,Akshay tritiya
June End of Uttarayan and begining of Dakshinayan
July Pandharpur Vaari,Guru Purnima,Ramzan Eid
August Naagpanchami,Raakhi Purnima,Independence Day,Krishnashtami,Ganesh Chaturthi
September Ganesh Visarjan,Start of Navratra,Ghat sthapana
October Dashehra,Diwali,Bakri Eid
November Guru nanak jayanti,Tulsi Vivah
December Christmas

I have mentioned Festivals only indicatively, but there are many localised Festivals in almost all states, which are not mentioned above ( for lack of Details).

Festivals like Holi, Dashehra, Diwali, Ramzan Eid, Christmas, Ganesh festival, Durga pooja are almost nationally celebrated festivals. When I was a child, I used to like Sankranti (for kite flying), Ganesh Chaturthi (for various cultural programmes, including Free cinemas) and Diwali ( for Crackers). During my Job period, I had the opportunity to enjoy Bihu in Assam, Pooja in Bengal, Rath Yatra in Orissa, Onam in Kerala, Lohdi in Punjab, Holi in U.P. and M.P., Garba in Gujarat, Dashehra in Mysore, Gudhi Padva in Maharashtra, Bathkamma in A.P., Yugadi in Karnataka and many more in North East, H.P., Tamilnadu, Shrinagar, Jaipur etc etc.

When I settled in Bombay, I realised that due to a sizable population of Gujarati people here, the Ras Garba programmes were held on mammoth scale,during Navratri days. For a star studded Garba Festival, the entry fees is around Rs.10,000 per night also. Even then they are overflowed.

Navratri is an important Festival all over India-almost-, the way it is celebrated in West Bengal is remarkable and something to be seen to be believed ! It is their biggest festival.
Nine forms of Maa Durga are worshipped in 9 Nights during this period, culminating in the 10th day,i.e. Vijaya Dashmi of Dashehra. The 9 forms are Shailputri, Bramhacharini, Chandraghanta, Kushmanda, Skandmata, Katyayani, Kaal Ratri, Maha Gauri and Siddhi datri. These forms are beautifully described by Ramesh chandra Pandey in a song he wrote for the film ” Navdurga”-53. Chitragupta has sung it melodiously, under the baton of S.N.Tripathi. This wonderful bhajan was posted on this Blogspot by our Sudhir ji, on 23-3-2012. In his write up he wrote…

” Navratri, literally a celebration of nine nights, is a festival that actually occurs once in every quarter, i.e. four times a year. Of these, the celebration that occurs in the month of Chaitra and the month of Ashwin are the better known and more popular Navratri celebrations. The Chaitra navratri end with the celebration of Ram Navami, the birth anniversary of Lord Ram. The Ashwin Navratri are followed on the next day by Dushehra, the celebration of the victory of Lord Ram over Raavan, the King of Lanka. Besides these two, the navratri celebrations also occur in the months of Aashaad and Paush / Maagh. These are also called the Gupt Navratri, or the lesser known or secret Navratri.
The Navratri or the festival of nine nights, is a celebration of the nine manifestations of Mother Goddess. These nine forms of manifestation are Shailputri, Brahmacharini, Chandraghanta,Kushmanda, Skandamata, Katyaayini, Kaalraatri , Mahagauri and Siddhidaatri. The description of these forms is as given below.
Shailaputri – On the first day of Navratri, the Mother Goddess is worshipped in the manifestation of Shailaputri, whose head is adorned by a half moon, who rides a bull and carries a spear. She is known as the form of Durga when she took birth as daughter of Great Himalayas.
Brahmacharini -The Brahmacharini form of Mother Goddess is worshipped on the second day of Navratri. She holds a rosary and a kamandalu in her lotus hands and her nature is to attain Sachchidanandamaya Brahmaswarupa – the Existence (sat)-Knowledge (chitt)-Bliss (anand) absolute. She represents the phase when Maa Parvati did penance as a Tapasvini, before her marriage to Lord Shiva.
Chandraghanta – On the third day of Navratri, the Mother Goddess is worshipped in the form of Chandraghanta, who rides on a Tiger. She wears the semi-circular moon (Chandra) which appears like a bell (Ghanta) on her forehead.
Kushmanda – On the fourth day, the manifestation of Mother Goddess is called Kushmanda. She holds two pitchers full of blood in her lotus hands and the universe is created, sustained and drawn within Devi’s ownself in a wink. In this form Mother Durga creates solar system by bestowing her powers unto Lord Sun.
Skandamata – The fifth day of Navratri is the celebration of Skandamata. She is eternally seated on a throne and her hands are adorned with lotuses. As the Mother of Skanda or Kartikeya, she is known as Skandmata.
Katyaayini – The sixth day of Navratri, the manifestation of Mother Goddess is Katyaayani. She holds shining Chandrahasa (Sword) in her hand and rides a magnificent lion and destroys the demons. When Maa Parvati’s partial power took birth in the home of Sage Katyaayan, then the Mother Goddess the known as Maa Katyaayini.
Kaalraatri – On the seventh day, the Mother Goddess is worshipped as Maa Kaalraatri. She is shown as having long lips, and rides an ass. She shines in various hues and is adorned with multi coloured ornaments. As per the description in Skand Purana, Maa Parvati liberates Devi’s golden outer sheath and becomes dark complexioned. In this form she is called as Maa Kaalraatri.
Mahagauri – On the eighth day, the Mother Goddess is worshipped as Maha Gauri. She rides a white bull and wears spotless white clothes. She represents purity and provides everlasting bliss to Lord Shiva.
Siddhidaatri – On the ninth day of celebrations, the manifestation of Mother Goddess is called Siddhidaatri. She is known as Siddhidaayini, the bestower of good fortune and success. In this form, the Mother Goddess was worshipped by Lord Shiva himself to manifest in the form of Goddess Ardhnaarishwara, and then the Mother Goddess appeared from the left side of Lord Shiva. “

Thanks,Sudhir ji.

Some more information on Navratri now.
The Navaratri commences on the first day (pratipada) of the bright fortnight of the lunar month of Ashvin. The festival is celebrated for nine nights once every year during the beginning of October, although as the dates of the festival are determined according to the lunar calendar, the festival may be held for a day more or a day less.

During Navratri, some devotees of Durga observe a fast and prayers are offered for the protection of health and prosperity. Devotees avoid meat, alcoholic drinks, grains, wheat and onion during this fast. Grains are usually avoided since it is believed that during the period of Navratri and seasonal change, grains attract and absorb lots of negative energies[8] from the surrounding and therefore there is a need to avoid eating anything which are produced from grains for the purification of Navratri to be successful. Navratri is also a period of introspection and purification, and is traditionally an auspicious and religious time for starting new ventures.

During this vowed religious observance, a pot is installed (ghatasthapana) at a sanctified place at home. A lamp is kept lit in the pot for nine days. The pot symbolises the universe. The uninterrupted lit lamp is the medium through which we worship the effulgent Adishakti, i.e. Sree Durgadevi. During Navratri, the principle of Sree Durgadevi is more active in the atmosphere.

Navratri is celebrated in a large number of Indian communities. The mother goddess is said to appear in 9 forms, and each one is worshiped for a day. These nine forms signify various traits that the goddess influences us with. The Devi Mahatmya and other texts invoking the Goddess who vanquished demons are cited.

Navaratri is celebrated in different ways throughout India. In North India, all three Navaratris are celebrated with much fervor by fasting on all nine days and worshiping the Mother Goddess in her different forms. The Chaitra Navratri culminates in Ram Navami and the Sharad Navaratri culminates in Durga Puja and Dussehra. The Dussehra of Kullu in Himachal Pradesh is particularly famous in the North. Navratri festival in Gujarat is one of the main festivals. Garba is a dance which people perform on all nine nights, after the Durga Pooja, in groups accompanied by live orchestra or devotional songs.

The last four days of Sharad Navaratri take on a particularly dramatic form in the state of West Bengal in East India where they are celebrated as Durga Puja.[5] This is the biggest festival of the year in this state. Exquisitely crafted and decorated life-size clay idols of the Goddess Durga depicting her slaying the demon Mahishasura are set up in temples and other places. These idols are then worshiped for five days and immersed in the river on the fifth day.

In Western India, particularly in the state of Gujarat and Mumbai, Navratri is celebrated with the famous Garba and Dandiya-Raas dance. Since the past few years, the Government of Gujarat has been organising the “Navratri Festival Celebrations” on a regular basis for the nine days of Navratri Festival in Gujarat. People from all over Gujarat and even abroad come to participate in the nine days celebrations. It is also popular throughout India and among Indian communities around the world including the UK, Canada, Malaysia, Singapore and USA.

In the temples of Goa, on the first day of the seventh month of the Hindu calendar Ashwin, in some temples, a copper pitcher is installed surrounded by clay in which nine varieties of food grains are sown inside the sanctum sanctuary of the temple.All the nine nights are celebrated by presenting devotional songs, and through religious discourses. Later in the night the idol of the goddess is put in a specially-decorated colourful swing and for nine nights, this swing is being swung to the tune of temple music (called as ranavadya) by devotees who throng in large numbers to participate in the festival. [6]

In South India, people set up steps and place idols on them. This is known as golu. Photos of typical golu displayed in Tamil Nadu style can be found here.

In Karnataka, Ayudha Puja, the ninth day of Mysore Dasara, is celebrated with the worship of implements used in daily life such as computers, books, vehicles, or kitchen tools. The effort to see the divine in the tools and objects one uses in daily life is central to this celebration, so it includes all tools that help one earn one’s livelihood. Knowledge workers go for books, pen or computers, farmers go for the plough and other agricultural tools, machinery for industrialists and cars/buses/trucks for the transportation workers—all are decorated with flowers and worshiped on this day invoking God’s blessing for success in coming years. It is believed that any new venture such as starting of business or purchasing of new household items on this day is bound to bring success and prosperity.

Mysore is well known for the festivities that take place during the period of Dasara, the state festival of Karnataka. The Dasara festivities, which are celebrated over a ten-day period, were first introduced by King Raja Wodeyar I in 1610.[7] On the ninth day of Dasara, called Mahanavami, the royal sword is worshipped and is taken on a procession of decorated elephants, camels and horses.[7] On the tenth day, called Vijayadashami, the traditional Dasara procession (locally known as Jumboo Savari) is held on the streets of Mysore. An image of the Goddess Chamundeshwari is placed on a golden howdah on the back of a decorated elephant and taken on a procession, accompanied by tableaux, dance groups, music bands, decorated elephants, horses and camels.[7] The procession starts from the Mysore Palace and culminates at a place called Bannimantapa, where thebanni tree (Prosopis spicigera) is worshipped.[7] The Dasara festivities culminate on the night of Vijayadashami with a torchlight parade, known locally as Panjina Kavayatthu.[7]

In Kerala and in some parts of Karnataka three days: Ashtami, Navami, and Vijaya Dashami of Sharad Navarathri are celebrated as Sarasvati Puja in which books are worshiped. The books are placed for Puja on the Ashtami day in own houses, traditional nursery schools, or in temples. On Vijaya Dashami day, the books are ceremoniously taken out for reading and writing after worshiping Sarasvati. Vijaya Dashami day is considered auspicious for initiating the children into writing and reading, which is called Vidyarambham. Tens of thousands of children are initiated into the world of letters on this day in Kerala.

In Telangana region of Andhra Pradesh, people celebrate Bathukamma festival over a period of nine days. It is a kind of navratri celebration.

The Vaishno Devi shrine in Jammu witnesses a massive surge of devotees during the nine-day festival of Navratri. On an average about 40 thousand devotees arrive in Katra, thebase camp , for their onward pilgrimage to Shri Mata Vaishno Devi Shrine. A pilgrimage to Mata Vaishno Devi shrine during the Navratri is considered most auspicious. Shri Mata Vaishno Devi Shrine Board (SMVDSB) like previous years has made several arrangements to facilitate smooth pilgrimage of the devotees during Navratras this year. The entire 13 kms track from Base Camp Katra to Bhawan Complex has been cleaned and given a new look. On the first day of Navratra Chat Chandi Maha Yagya started at Bhawan Complex which will continue all the nine days and conclude on October 16 on the occasion of Navmi with “Puran ahuti”. The entire premises of Mata Vaishno Devi Shrine has been illuminated presenting a marvellous look.

Here Navratri is divided into sets of three days to adore three different aspects of the supreme goddess or goddesses.

First three days: The goddess is separated a spiritual force called Durga also known as Kali in order to destroy all our evil and grant boons.

Second three days: The Mother is adored as a giver of spiritual wealth, Lakshmi, who is considered to have the power of bestowing on her devotees inexhaustible wealth, as she is the goddess of wealth.

Last three days:

The final set of three days is spent in worshiping the goddess of wisdom, Saraswati. In order to have all-round success in life, believers seek the blessings of all three aspects of the divine femininity, hence the nine nights of worship.See also: Kanya Puja
Eighth day is traditionally Durgashtami which is big in Bengal and Bihar.During the eight or ninth day, Kanya Poojan, pre-pubescent girls are ceremonially worshipped.

In some parts of South India, Saraswati puja is performed on the 9th day. Ayudha Puja is conducted in many parts of South India on the Mahanavami (Ninth) day with much fanfare. Weapons, agricultural implements, all kinds of tools, equipments, machinery and automobiles are decorated and worshipped on this day along with the worship of Goddess. The work starts afresh from the next day, i.e. the 10th day which is celebrated as ‘Vijaya Dashami’. Many teachers/Schools in south India start teaching Kindergarten children from that day onwards.

In North India, as the culmination of the Ramlila which is enacted ceremoniously during Dussehra, the effigies of Ravana, Kumbhakarna, and Meghanada are burnt to celebrate the victory of good (Rama) over evil forces on the ‘Vijaya Dashami’ day.

Film Navratri-55 was a Bhagyodaya pictures film,produced by R.U.Patel and Natwar Shyam. It was directed by ‘The king of Mythologicals’ Raman B.Desai and the MD was Chitragupta,ably assisted by Dilipbhai Dholakiya. There were 8 songs penned by G.S.Nepali and Bharat Vyas. There were 8 songs in the film and today’s song is the 3rd song to be posted here.It is written by Bharat Vyas and sung by Rafi,Asha and Chorus. The cast of the film was,manhar Desai,Nirupa Roy,lalita Pawar,Sapru,Niranjan Sharma etc. The story of the film was…

Mahishasoor, the mighty Demon-King had spread a reign of terror in every nook and corner of the world. Blood of innocent people flowed like water. There was no safety of person or property. Religion and chastity of women were in jeopardy, every moment, at the hands of the vulture-like Rakshasas. People were cowed down, as the hands of the beastly tyrant had crushed all opposition. All the vanquished Kings and Princes cowardly accepted his slavery to save their lives. Prince Shatrughna was the only exception. For not accepting his sovereignty he was ordered to be killed by throwing down from a hill-top. But he escaped bravely. . Saranyu, the beautiful and daring daughter of Mahamuni Twashta had undertaken the task of spreading the spirit of revolt against the oppressive rule of Mahish. But as fate would have it, Mahish happened to see her one day and her charming beauty captured his heart. He proposed to make her his queen and on her declining that offer, tried to molest her. Luckily, however, Prince Shatrughna arrived at the nick of time and saved her honour. Cupids dart struck the young herarts of Saranyu and Shatrughna. But they preferred to dedicate their lives to the service of the people and some how bring about the destruction of Mahish. . The fragrance of saranyus beauty had reached even the celestial heights of Swarga-lok. And Devraj Indra, personally went to Mahamuni Twashta to request for her hand. But the splendour and riches of even Indra-lok had no attraction for Saranyu. She rejected Indra’s offer too . Mahish sent his soldiers to abduct Saranyu forcibly, But before they could succeed. Indra took her away. This enraged Mahish so much that he ordered to invade Swarga, immediately. But Narad Muni advised him to first acquire superior strength than Indra, by performing Tapasya. . When saranyu refused to marry him, Indra tried to fulfil his desire by force-but Shachidevi, Indras wife, interrupted him and sent her back to her father’s Ashram. . Mahish pleased Brahma by his penace, and obtained a boon of virtual immortality from him viz. No one, except a woman, could kill him in the three worlds. Intoxicated by this boon, he proclaimed himself as God-issued a fiat to worship none but him and mercilessly persecuted and put to death thousands of devotees who persisted in worshipping Lord vishnu, shanker and Goddess Adya Shakti, in defiance of his orders. . Suloma, the kind-hearted queen of Mahishasoor several times tried to persuade and prevent Mahish from the path of sin-but to no purpose. He invaded Swarga-lok also, defeated Indra in a war and humiliated him as well as Indrani, by inhuman tortures. . In the meantime, Mahamuni Twashta had married Saranyu to prince Shatrughna. But Mahish had, still, not forgotten Saranyu. He got her kidnapped just on her wedding night. When Saranyu did not yield to his several tactics-mahish blinded Mahamuni Twashtas eyes with hot iron bars, in her presence and also killed her husband, before her eyes. But the true Sati, as she was, Saranyu remained firm in her pious resolve. . Then from the Lights of all the Gods-Goddess Durga was born. Bhagwati Durga Mata kills the proud Mahishasoor, she revives Sati Saranyus husband to life, the blind Mahamuni Twashta regains his lost eyesight and Suloma sacrifices her life for a just and noble cause.

Let us now enjoy this Bhajan by Rafi, Asha and chorus.


Song-Sinh ki hunkaar le (Navratri)(1955) Singers-Rafi, Asha Bhonsle, Lyrics-Bharat Vyas, MD-Chitragupta
Rafi + Asha Bhonsle
Chorus

Lyrics

om hring kling ambike
ambike jagdambike
om hring kling ambike
ambike jagdambike

Sinh ki hunkaar le
shesh ki phunkar le
bijliyon ke haath mein talwaar le
hey ae

aadi shakti aaj tu avtaar le
om hring kling ambike
ambike jagdambike

dagmagaaya hai gagan
dharti lagi hai dolne
dharti lagi hai dolne

aaj ek papi laga hai
pralay ka munh kholne
pralay ka munh kholne
nyay ke swar ko nahin
anyaay deta bolne

pyar ke amrit mein hai koi
laga vish gholne
aa jagat ka bhaar le
shatru ko sanghaar le
dharam ki naiya ko aake taar le
hey ae

aadi shakti aaj tu avtaar le
om hring kling ambike
ambike jagdambike

tu na aayi to dhara aakash badlenge
dhara aakash badlenge
chandr ravi ke tez aur prakaash badlenge
ye tez prakaash badlenge
ved aur puraan ke vishvaas badlenge
shristy ke pracheen sab itihas badlenge
jaag shastr sanwaar le
khadag khappar dhaar le
dusht mahisasur ka sheesh utar le
hey ae

aadi shakti aaj tu avtar le
avtaar le
aa aa aa
avtaar le
aa aa aa
avtaar le
aa aa aa


Shukriya aapki inaayat ka

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Atul Song-A-Day 10K Song Milestone Celebrations – 35
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In our series of introduction posts, now we reach a very special person indeed ! Formally named Greta Kaemmer, she is known to us all as just Memsaab.

Today, when I take a pause and look back, I can clearly see one important turning points for the blog, which arrived thanks to Memsaab. The date was 29 november, 2008, when Greta discovered the song blog. She was kind enough to write an article about this blog in her blog titled- “I am in love”.
She wrote

NOVEMBER 29, 2008
I’m in love…
with this blog. Go there now. Be prepared to spend an entire day there (at least). It is chock full of beautiful Hindi film songs, from all eras, with links to YouTube and—best of all—the lyrics transliterated for us non-Hindi script readers, sometimes (early posts) accompanied by English translated lyrics also. It’s truly a labor of love by Atul and a must-see for anyone who enjoys filmi songs (and who reading this doesn’t?).

Wah! wah! Atul! And he’s promised that he will start doing the English translations again too. So let’s make it worth his while!

Edited to add: In my enthusiasm I forgot to mention that he also has wide-ranging knowledge on singers, music directors, lyricists, film history and all kinds of other interesting tid-bits that he includes in his posts. Okay, I’m done. Go there now.

I feel extremely grateful to Greta for giving publicity to the blog. We all know what a celebrity can do to a product when he/she endorses it. Greta was that celebrity for this blog.

Her endorsement helped gain me the much needed traffic of visitors from her blog and elsewhere. Quite a few of these new visitors became regulars and later contributors and helped in taking the blog forward.

Not just these visitors, Greta herself was kind enough to become a regular visitor and a contributor to the blog. And her articles had interesting nuggets of information that once she could have dug up. It was through one of her articles that we became aware of the fact that Helen had a brother who also worked in Hindi movies. And she has the ability to observe so many things in a song that to most mortals may appear an otherwise unremarkable song.

Greta has championed the cause of the small time actors in a big way. So much so that lesser known dancers like Bela Bose, Laxmi Chhaaaya, Edwina etc are finally getting recognition mainly thanks to the efforts of Memsaab. I unabashedly admit that I was not aware of the names of many of these lesser known actors before I read about them in Memsaab’s blog.

Memsaab has shown us how to enjoy movies even when they seem to lack the ability to entertain us. Seen through the eyes of Memsaab, there is hardly any movie that does not seem entertaining. She is a perfect salesperson for Hindi movies (especially the B grade movies). I have found her reviews far more entertaining than the movies themselves. And once you read her reviews, they you become aware of the entertaining highlights of the movie. Much of these entertaining highlights may be less by design and more by chance though. And the fact that memsaab gets to watch many of these movies on DVD with dodgy sub titles provides a big source of hilarity for her as well as her readers.

“Nahin face” and “purdah lite” are two of the several terms that Memsaab has coined. She undertook an enormous task of making a list of lesser known actors alongwith their photographs. Thanks to this initiative, many of these lesser known actors have become known to the present generation of movie lovers for the first time.

Memsaab has been a frequent visitor to India. In one of her earlier visit, she participated as a special guest in a Filmy quiz programme called “Bollywood ka Boss” (shot in late 2007 and aired in 2008) and she actually replied every question correctly that the host Boman Irani threw at her.

She has developed some good contacts in Hindi movie industry. And thanks to them, she managed to fulfil a major aspiration that she had- viz meeting her idol Shammi Kapoor. In her subsequent visits she has met some more well known Bollywood personalities.

Her other favourite actors include names like Rajesh Khanna, Mumtaz, Dara Singh, Asha Parekh, Helen etc. Among oldtimers, she finds Chandramohan and Prithviraj Kapoor as irresistible. A series of articles appeared in an Hindi newspaper about Chandramohan and I sent her the translation of these articles.

Once I located a delightful B grade movie called “Smuggler” and sent it to her for her review. She was kind enough to review it in her own inimitable style.

Memsaab has been featured in a few Indian publications, such as this and this.

Many talented bloggers have rallied around her and have created some badly needed resources, viz DVDs of forgotten movies with proper sub titles (under the name of EDU productions). These have qualities that far exceed the “quality” offered by any official DVD retailers.

Memsaab has a great sense of humour (as can be seen from her articles). She has tremendous patience and open mindedness as can be seen in her willingness to learn and master an entirely alien art form belonging to a land halfway away from her country.

Another of her qualities that I find so endearing is her love for pets, especially dogs. Her pets have a world wide fan following and many of us mourned when one of her pet passed away. And she mourned the demise of my cat. She wrote an article on anipals in her blog and dedicated that article to me. Likewise, I too have written a few articles on my pets and I always look forward to Memsaab’s comments on these articles. And she, in uncharacteristic glee has made comments like “best.post.ever” whenever I have written about my pets.

As a token of affection and gratitute, here is a song from “Chaalbaaz” (1969). This song is sung by Rafi and Asha Bhonsle. It is picturised on Dara Singh and a lady who could be Sanjana (I request our knowledgeable readers to help identify her).

Farooque Kaiser is the lyricist. Music is composed by the music director trio of Lala Asar Sattar.


Song-Shukria aapki inaayat ka (Chaalbaaz)(1969) Singers-Rafi, Asha Bhonsle, Lyrics-Farooque Kaiser, MD-Lala Asar Sattar

Lyrics

hmm hmm
hmm hmm hmm hmm hmm
aa aa
aa ha ha ha ha

Shukriya aapki inaayat ka
meharbaan shukriya
Shukriya aapki sharaarat ka
meharbaan shukriya

Shukriya aapki inaayat ka
meharbaan shukriya
Shukriya aapki sharaarat ka
meharbaan shukriya

aap ki raahon mein dil hai
shauk se thukraaiye
aur kya khidmat karoon main
jaaneman farmaaiyem
hosh kehta hai ??
takti rahoon
pyaar ki zid hai magar is aag mein jal jaaiye

zara ban ke
tan tan ke
haaye zara ban ke
tan tan ke
ye adaayen sataaye
khuda ki kasam
Shukriya aapki sharaarat ka
meharbaan shukriya

Shukriya aapki inaayat ka
meharbaan shukriya
ha ha

beqaraari intezaari pyaar ak anjaam hai
chain hai na palbhar
raat ko aaraam hai

aapki hi hi den hain
zara chhup ke
niraala sanam
Shukriya aapki sharaarat ka
meharbaan shukriya

Shukriya aapki inaayat ka
meharbaan shukriya


Jidhar bhi main dekhoon udhar tu hi tu hai

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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Two songs from this movie “Tu Hi Meri Zindagi” (1965) have already been discussed in this blog. I would like to present two of my most favourite songs of this movie. The first one is presented here, and am sure the other one (Maayus Na Ho Aye Mere Watan) will be posted in the near future.

“Tu Hi Meri Zindagi” (1965) was produced under the Filmalaya banner by Sashdhar Mukharjee, and directed by his eldest son Rono Mukherjee, who also composed music for this movie.

The movie starred Deb Mukherjee (Rocky), Nivedita (Maria), Salome, Darshan, Lata Sinha, Chhaya Devi, Amar, Gajanan Jagirdar, Paul Sharma, Shetty, Heera Sawant, Uma Khosla, Pradeep Gupta, Sudarshan, Devraj, Jaffar, Raj Bakshi, Mohan Sharma, Master Akhtar, Rummy, Tingo, Shyam Chatterji, etc.,

I have checked the first two posts and it does not provide any story info. So here goes (as per IMDB).

FREEDOM IS MY BIRTH RIGHT shouted one of the glorious sons of the motherland and he would not rest until he cut all the shackles of bondage.
This was the spirit which inspired our hero who belonged to the masses. Rocky, the last unsung patriot in the Gomes family which was well known for its tradition of having sacrificed everything for the cause of liberation of Goa, was unlike his ancestors because his grandmother, the only survivor of the family had very cautiously kept away Rocky from the influence of politics and revolutionary movement. But he was born to be the liberator of Goa and all circumstances worked up to provide him a field so that he could become immortal.
The happy go lucky Rocky turned into a maniac when his love was frustrated with the death of his beloved Maria who fell a victim to Portuguese atrocities. Rocky avenged her death by killing Portuguese tyrants. Then by force of circumstances, Rocky was dragged into the revolutionary movement and he identified himself with the ideal of his country’s freedom. Thus he found an opportunity and an altar to pour out all his suppressed attachment and love for his country providing his people a life of honour and grace.
His sacrifices kindled a fire of freedom in each hear which was enough to burn down the malicious designs of those who do not honour the people right to be free to govern themselves.

This is a bar song and Asha Bhosle’s voice is lip synced by Salome, AKA Salome Roy Kapur nee Aaron, Miss India 1972 (Eve’s Weekly) who did modelling, acted in this film, before becoming a film choreographer, known for choreographing the song, “Main Shaayar Toh Nahin” in Bobby (1973). She married a Punjabi businessman and bore him three sons – Siddharth Roy Kapur (who recently married noted Bollywood actress Vidya Balan), Kunaal Roy Kapur and Aditya Roy Kapur.

Her father-in-law was Raghupat Roy Kapur, who acquired the pseudonym G Rakesh and produced by his first film, Shahenshah Akbar (1943), with K.N. Singh as the lead. Soon his wife and children joined him and he went on to produce films like Zanjeer (1947), and even directed films like Lekh (1949), with Motilal and Suraiya and Banwra (1950) with Raj Kapoor and Nimmi. Salome’s parents, Sam and Ruby Aaron were qualified dance teachers, who introduced the Sama dance form to India, and also taught actor Bhagwan for film Albela (1951).

This song, a duet by Asha Bhosle and Mohd. Rafi is penned by Raja Mehndi Ali Khan and as mentioned above, composed by Ronodeb Mukherjee.


Song-Jidhar bhi main dekhoon udhar tu hi tu hai (Tu Hi Meri Zindagi)(1965) Singers-Asha Bhonsle, Rafi, Lyrics-Raja Mehdi Ali Khan, MD-Ronodeb Mukherji
Both

Lyrics

Jidhar bhi main dekhoon
udhar tu hi tu hai ae
udhar tu hi tu hai ae ae
jidhar bhi main dekhoon
udhar tu hi tu hai ae ae
udhar tu hi tu hai
ye meri kahaani
meri zindgani
meri kahaani meri zindgaani
teri aarzoo hai ae ae
jidhar bhi main dekhoon
udhar tu hi tu hai ae ae
udhar tu hi tu hai

mohabbat pe aayi ye kaisi tabaahi ee
kaisi tabaahi ee ee
mohabbat pe aayi ye kaisi tabaahi ee
kaisi tabaahi
qayaamat se pehle qayaamat ye aayi
qayaamat se pehle qayaamat ye aayi
qayaamat se pehle qayaamat ye aayi
jo tujhko pukaare
wo kiska lahoo hai ae ae
kiska lahoo hai
ye meri kahaani
meri zindgani
meri kahaani meri zindgani
teri aarzoo hai ae ae
jidhar bhi main dekhoon
udhar tu hi tu hai
udhar tu hi tu hai

Maria Maria aa
Maariyaa

mohabbat ka dushman zamaana hua hai ae
zamaana hua hai ae
mohabbat ka dushman
zamaana hua hai
zamaana hua hai
koi aaj hampe deewaana hua hai
koi aaj hampe deewana hua hai
koi aaj hampe deewaana hua hai
deewaane ko hardum
teri justzu hai
teri justzu hai
ye meri kahaani
meri zindgaani
ye meri kahaani meri zindgani
teri aarzu hai ae ae
jidhar bhi mai dekhoon
udhar tu hi tu hai ae ae
udhar tu hi tu hai

ye kisne mohabbat ka
khoon kar diya hai
khoon kar diya hai ae
ye kisne mohabbat ka
khoon kar diya hai
khoon kar diya hai
zameen ro rahi
aasmaan ro raha hai
zameen ro rahi
aasmaan ro raha hai
zameen ro rahi
aasmaan ro raha hai
ye kis begunaah ki luti aabroo hai ae
Luti aabroo hai
ye meri kahaani meri zindgaani
meri kahaani meri zindgaani
teri aarzoo hai
jidhar bhi main dekhoon
udhar tu hi tu hai
udhar tu hi tu hai


Aa dance karein

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This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Amongst various phases that we go through in life, childhood, though the earliest of our conscious phases, usually manages to imprint some memories in our brain that seem to be indelible right through our life. We might forget what we had for lunch earlier today but we remember a seemingly inconsequential event that occurred when we were ten!

For many people, these childhood memories include films and music that they were exposed to at that time. Years later, they recall (usually) fondly these films and this music – often associating them with childhood events. Success or otherwise of these films or music is immaterial – what matters is that they were part of the person’s growing up years.

For me, those years would be, say, from 1969 – 1981.

In 1981, things changed in my life – and probably changed me too a bit. I remember Love Story, Rocky and Ek Duuje Ke Liye being released in 1981. All of these films turned out to be huge hits – and their songs were a rage on radio every day. I listened to them – but could not muster any interest in the films themselves. A bunch of new actors for the Hindi film industry – all heavily promoted – and here I was, totally indifferent. Yes, for me, personally, 1981 marked the end of an era.

The start of the era was probably 1969. I have a few memories of pre-1969 but they are rather hazy , so I will not set the marker for before this year. I do remember 1969 though – Aradhana’s popularity is a clear memory though at that time I did not know it was 1969. Another clear memory is the death of President Zakir Hussain and it being declared a school holiday. Later I realized it was 1969.

I remember seeing an issue of Madhuri magazine in 1970. In our family we did not subscribe to film magazines but our neighbour did. I happened to be at their place and chanced on the magazine. The main story was about the top three heroines of the time, with their pictures.

They were Sharmila Tagore, Asha Parekh and Waheeda Rehman.

I remember this as if it were yesterday.

Of course these were the big names at that particular moment, especially after Aradhana and Kati Patang for Sharmila and Asha respectively. I’d guess Waheeda would have in the top 3 for much of the 60s, and even in 1970, she produced an outstanding performance in Khamoshi.

But I reckon, if a similar top-3 had been produced 2-3 years later, a different name might have made it to the list.

Mumtaz.

Today is Mumtaz’s birthday (or birth anniversary as some prefer to refer to the day).

So this post is dedicated to her, as we, in this blog, wish her a very happy birthday.

Personally, I’d like to thank Mumtaz (or Mumu as she is fondly called by her fans) for many of my fond childhood film memories.

“Dekho dekho dekho, bioscope dekho…Dilli ka Qutub Minar dekho, Bambai sheher ki bahaar dekho, ye Agre ka hai Taj Mahal, ghar baithe saara sansaar dekho”.

This was Mumu in Dushman (1971). Even as she was singing this song on screen (Lata’s playback), a little boy was enthralled. That was me. ? This song got stuck in my head.

“Sun champa sun taara, koi jeeta koi haara”.

Mumu in Apna Desh (1972). Another song that enthralled me at the time and got stuck in my head.

During that period (1970-1975), I saw a number of Mumtaz movies. She was at the top of her career at the time and was extremely popular amongst the masses.

It is well-known that she and Rajesh Khanna enjoyed a terrific chemistry on screen. Many of their films became hits, many of them had songs featuring both of them, which are popular to this day. Songs like “chhup gaye saare nazaare” and “ye reshmi zulfein” (Do Raaste), “yunh hi tum mujh se baat karti ho” (Sacha Jhootha), “maine dekha tune dekha…dushman dushman jo doston se pyara hai” (Dushman), “kajra lagaa ke” and “duniya mein logon ko” (Apna Desh), “gore rang pe na itna gumaan kar” (Roti), “karvatein badalte rahen” and “jai jai Shiv Shankar” (Aap Ki Kasam) and “prem kahani mein” (Prem Kahani).

I saw all these movies during that 1970-75 period. And loved the Rajesh-Mumu pairing. But apart from these films, I also saw other Mumu films like Pardesi, Ek Nari Ek Brahmachari, Apradh, Hare Rama Hare Krishna, Tere Mere Sapne, Tangewala, Mela, Loafer and many more.

Yes, during that period, with the possible exception of Hema Malini, I don’t think I saw as many movies of any heroine as I saw of Mumtaz.

So to me, just like Rajesh Khanna was very much part of my early growing up years, so was Mumtaz.

Only later I got to know that it had not always been like this for Mumtaz.

I’d first known her when she’d already stepped into the big league. But well before that, she’d had many years of working her way up the ladder. She started when very young – for example, she can be seen in the famous “pankh hoti to ud aati re” sequence (Sehra-1963). Already by this time, she’d been acting for a few years. And this, for somebody, born in 1947.

Through the 1960s, Mumtaz worked as a heroine in B-movies (notably with Dara Singh, who was one of her favourite co-stars at the time and encouraged her a lot during that period).

When she wasn’t playing B-movie heroine, she was playing the secondary actress role in A movies – often wanting the hero, but not getting him, as in Aadmi Aur Insaan and Patthar Ke Sanam. Through the sixties, she could be seen in well-known films but not as the main heroine – films like Khandan, Sawan Ki Ghata, Humraaz, Brahmachari and Mere Sanam come to mind.

With V. Shantaram’s Boond Jo Ban Gaye Moti (1967) opposite Jeetendra and Ram Aur Shyam (1967) opposite Dilip Kumar, she made the transition to a different league – that of a lead actress in a non-B film.

Ram Aur Shyam (1967) became a huge hit. It had Dilip Kumar in a double role – one was paired opposite Waheeda Rehman, the other opposite Mumtaz. And though Waheeda Rehman had more screen time, Mumtaz had her moments too, with the popular “o baalam tere pyar ki thandi aag mein jalte jalte” picturised on her and Dilip Kumar.

From then on, things began looking up for her. Do Raaste (1969) was again a big hit. And for Khilona (1970) she even won a Filmfare award. After that, the lead roles began coming her way fairly comfortably. Once you are seen as a saleable star, producers line up at your doorstep.

So it was indeed quite a journey for Mumtaz. From being a starlet to becoming a star. It is to her credit that she persevered all the way. Some people (like Rajesh Khanna) achieve stardom very early in their careers – others have to work for years for it.

Mumtaz enjoyed her stardom years in the early 70s. But then, just when she was still very much on top, she got married and left the film industry in the mid-70s. She wrapped up her remaining assignments and settled abroad with her businessman husband. It was a Hindi film industry version of a Bjorn Borg retirement. ?

Anyway, now onto today’s song.

The song for today is from Khandan (1965).

The film was one of the biggest grossers of the year and its music became very popular. Ravi won a Filmfare Award for it, as did Sunil Dutt for his acting. While the heroine is Nutan, Mumtaz stars in the film as second lead opposite Sudesh Kumar, who plays Sunil Dutt’s brother.

The role Mumtaz plays is actually a negative one, where she and her brother, Pran, try to win over Sudesh Kumar and break his family, with the help of Lalita Pawar, who is the matriarch of the family.

It is a fun song that allows us to see Mumtaz dancing in her typical 1960s “western” style, reminiscent of her in “O meri maina” from Pyar Kiye Jaa. That Sudesh Kumar doesn’t seem to quite match up to Mumtaz in the dance, doesn’t detract from the fun of the song.

I hope you enjoy this song too – ao dance karein.
And once again, we wish Mumtaz a very happy birthday.


Song-Aa dance karein (Khaandaan)(1965) Singers-Asha Bhonsle, Rafi, Lyrics-Rajinder Krishan, MD-Ravi
Both

Lyrics

Aa dance karein
aa dance karein
thhoda romance karein
nazar nazar mein hua hai sauda
tere mere dil ka
O aa dance karein
thhoda romance karein
nazar nazar mein hua hai sauda
tere mere dil ka

aa aa
aa dance karein

pheeki hai zindagaani
dum bhar mein ho suhaani
thhodi si meherbaani
kar do honey
pheeki hai zindagani
dum bhar mein ho suhaani
thhodi si meherbaani
kar do honey
raahi hoon door ka main
banda huzoor ka main
zulfon ki chaahta hoon
chhaaon ghani

dil hai mera bhi
O sanam tera pyaasa
a haa ha ha
aa dance karein
aa dance karein
thhoda romance karein
nazar nazar mein hua hai sauda
tere mere dil ka

haaye
aa dance karein
La la la
La la la
La la la la la la la laa

mausam hai aashiqui ka
masti ka bekhudi ka
phir kyun na zindagi ka
aaye mazaa
mausam hai aashiqui ka
masti ka bekhudi ka
phir kyun na zindagi ka
aaye mazaa

thhukra ke ye zamaana
kar le kahin thhikaana
apna to hai iraada
tera hai kya
dil hai mera bhi
O sanam tera pyaasa

haa
aa dance karein
thhoda romance karein
nazar nazar mein hua hai sauda
tere mere dil ka

aaa
aa dance karein



Dil tumko de diya jaane jigar

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Today (3 august 2014) is the 98th birth anniversary of Shakeel Badayuni (3 august 1916- 20 april 1970). Bulk of Shakeel Badayuni’s movies (around 89 movies) were with Naushad and their team have given us immortal songs for two decades from late 1940s to late 1960s.

In addition, Shakeel Badayuni also worked in several movies with Ghulam Mohammad.

Ironically, it was Shakeel Badayuni’s association with other music directors that enabled him to win some coveted awards that had eluded him during his association with Naushad and Ghulam Mohammad. He won three filmfare awards in a row from 1961 to 1963. They were under the music direction of Ravi in 1961 ( Chaudhvin ka chaand ho(Chaudhvin ka chaand)(1960))and 1962 (Husn waale tera jawaab nahin(Gharana)(1961) ) and under the music direction of Hemant Kumar in 1963 (Kahin deep jale kahin dil(Bees Saal Baad) ).

Shakeel Badayuni has worked with S D Burman, C Ramchandra and Roshan too, albeit in only two movies each with all of them.

On the occasion of Shakeel Badyuni’s birth anniversary, here is a song from “Pyaar Kiya To Darna Kya” (1963).

“Pyaar Kiya To Darna Kya” (1963) was produced and directed by B S Ranga for Vikram Productions. The movie had Shammi Kapoor,B.Saroja Devi, Pran,Om Prakash, Prithiviraj Kapoor, Agha, Rukmani Devi, Helen, Hussain, Shubh Khote, Nazir, Pushpavalli(Heroine Rekha`s Mother) etc in it.

This song is the eighth song from the movie to appear in the blog. It is sung by Asha Bhonsle and Rafi. Shakeel Badayuni is the lyricist. Music is composed by Ravi.

The song is picturised on Shubha Khote and Agha.

Lyrics of this song were sent to me by Prakashchandra.

video

Audio

Song-Dil tumko de diya jaane jigar (Pyaar Kiya To Darna Kya)(1963) Singers-Asha Bhonsle, Rafi,Lyrics-Shakeel Badayuni, MD-Ravi
Both

Lyrics(Provided by Prakashchandra)

dil tumko de diyaa jaane jigar
dil tumko de diyaa jaane jigar
kahin phenk na denaa idhar udhar
kahin phenk na denaa idhar udhar
dil tumko de diyaa jaane jigar
dil tumko de diyaa jaane jigar
mere haal pe rakhnaa yoon hi nazar
mere haal pe rakhnaa yoon hi nazar

dil tumko de diyaa jaane jigar
dil tumko de diyaa jaane jigar

ehsaan tumhaara hai ye sanam
manzil pe jo aaye mere qadam…mmm
ehsaan tumhaara hai ye sanam
manzil pe jo aaye mere qadam..mmm

mujhe rakhnaa hameshaa saath balam
tumhein mere dhadkte dil ki qasam
mujhe rakhnaa hameshaa saath balam
tumhein mere dhadkte dil ki qasam
mere pyaar se rehnaa na bekhabar
na bekhabar
dil tumko de diyaa jaane jigar
dil tumko de diyaa jaane jigar

mere haal pe rakhnaa yoon hi nazar
mere haal pe rakhnaa yoon hi nazar

dil tumko de diyaa jaane jigar
dil tumko de diyaa jaane jigar

tumhein dil mein chhupaake rakhenge
tumhein apnaa banaake rakhenge ae ae ae
tumhein dil mein chhupaake rakhenge
tumhein apnaa banaake rakhenge ae ae
qaatil hai zamaane ki nazrein
tumhein sabse bachaake rakhenge
qaatil hai zamaane ki nazrein
tumhein sabse bachaake rakhenge
jab pyaar kiyaa hai toh kaissa dar
toh kaissa dar
dil tumko de diyaa jaane jigar
dil tumko de diyaa jaane jigar

kahin phenk na denaa idhar udhar
kahin phenk na denaa idhar udhar
dil tumko de diyaa jaane jigar
dil tumko de diyaa jaane jigar


Mera dil aashiqaana hai

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“Pyaar Kiya To Darna Kya” (1963) was produced and directed by B S Ranga for Vikram Productions. The movie had Shammi Kapoor, B.Saroja Devi, Pran,Om Prakash, Prithiviraj Kapoor, Agha, Rukmani Devi, Helen, Hussain, Shubh Khote, Nazir, Pushpavalli(Heroine Rekha`s Mother) etc in it.

As many as eight songs from this movie have appeared in the blog. Here is the ninth and final song from the movie. This song is sung by Asha Bhonsle and Rafi. Shakeel Badayuni is the lyricist. Music is composed by Ravi.

Only the audio of this song seems to be available. I request our knowledgeable readers to throw light on the picturisation of this song.

With this song, “Pyaar Kiya To darna Kya” (1963) joins the list of movies that have all their songs covered in the blog.


SongMera Dil Aashiqaana hai (Pyaar Kiya To darna Kya) (1963) Singers-Rafi, Asha Bhonsle, Lyrics-Shakeel Badayuni, MD-Ravi

Lyrics

bahut haseen hai
duniya meri nigaahon mein
jo bas chaley to luta doon main
dil ko raahon mein
kyun bhai kis liye
is liye
ke mera dil il il
mera dil aashiqaana hai
haaye
mera dil aashiqaana hai
kabhi is par nisaar
kabhi us par nisaar
ye to zaalim deewaana hai ae
mera dil aashiqaana hai
haaye
mera dil aashiqaana hai
ye to jhoothha fasaana hai
haaye
ye to jhoothha fasaana hai
kabhi itna garoor nahin karna hazoor
bada naazuk zamaana hai ae
ye to jhoothha fasaana hai
haaye

mera dil aashiqaana hai

ye chaahta hoon mulaaqaat ho haseenon se
isi liye to ulajhhta hoon maahjabeenon se
main to bas husn ka parwaana hoon
hosh mein rah ke bhi deewaana hoon
sirf itni hai haqeeqat meri
ek rangeen sa afsaana hoon

jo bhi nazren milaaye
kabhi bachkar na jaaye
jo bhi nazren milaaye
kabhi bachkar na jaaye
mera aisa nishaana hai ae ae
mera dil aashiqaana hai
haaye
ye to jhoothha fasaana hai

jaley jo shama to parwaane uspe girte hain
tumhaare jaise jahaan mein hazaar phirte hain
pyaar kya cheez hai tum kya jaano
pehle khud ko to zara pehchaano
tumse ek baat kahe dete hain
chaahe maano ya ise na maano

ek se dil lagaao use apna banaao
ek se dil lagaao use apna banaao
bura sabko sataana hai
ye to jhoothha fasaana hai
haaye

mera dil aashiqaana hai

sikha de koi mujhe pyaar to karam hoga
jo pyaar seekh gaye tum
bada sitam hoga

zindagi meri sambhal jaayegi
pyaar ki aag mein jal jaayegi
aur agar ye bhi gawaara ho mujhe
phir to duniya hi badal jaayegi

koi dil to lagaaye
pyaar kar ke dikhaaye
koi dil to lagaaye
pyaar kar ke dikhaaye
ab to ye aajmaana hai ae ae
mera dil aashiqaana hai
haaye
mera dil aashiqaana hai
kabhi itna garoor nahin karna hazoor
bada naazuk zamaana hai ae ae
ye to jhoothha fasaana hai
haaye

mera dil aashiqaana hai
haaye
ye to jhoothha fasaana hai
haaye

ho mera dil aashiqaana hai
haaye
ye to jhoothha fasaana hai
haaye

mera dil aashiqaana hai
haaye
ye to jhoothha fasaana hai
haaye

mera dil aashiqaana hai
haaye
ye to jhoothha fasaana hai
haaye

mera dil aashiqaana hai
haaye


Chaand raat hai tu bhi saath hai

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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Chandni Raaten : Song No. 4
———————————

chaand aahen bharegaa phool dil thhaam lenge
husn ki baat chali to sab teraa naam lenge

chand phir nikla magar tum na aaye
jalaa phir mera dil karoon kya main haaye

dheere dheere chal chaand gagan mein
kahin dhal na jaaye raat toot na jaayen sapne
arey dheere dheere chal chaand gagan mein

khoya khoya chaand khula aasmaan
aankhon mein saari raat jaayegi
ham ko bhi kaise need aayegi ho oo

Like all listeners of film songs on radio I have arrived here having consumed a staple diet of ‘ chand ‘and ‘ raat ‘ related songs. Such songs are numerous and too many to count. If I wish I can fill whole posts with just referring to these songs. There are also song which have such references in the stanzas like thi evergreen song from ‘ Sangam ‘

tujhe main chaand kehta thha
magar uss mein bhi daag hai
tujhe sooraj main kehta thhaa
magar uss mein bhi aag hai
tujhe itna main kehta hoon
ke mujh ko tum se pyar hai
tum se pyar hai
ye mera prem patra padh kar

What a round-about way of arriving at the point !

This is an out and out romantic song, a duet by Rafi and Asha Bhosle. Such romantic songs based on moon and night are usually very popular and I had no hopes of finding such typical song not posted yet, to suit my theme. But here it, the movie is not yet represented in the blog. There are two films named ‘Kismat’ (1943 and 1968) with music by Anil Biswas and O. P. Nayyar. This song belong to ‘Kismat’ (1956), with music by the redoubtable Chitragupt. Lyrics are written by Indeevar. Only audio of this song is available as of now. As per the excel sheet it is picturized on Ranjan and Peace Kanwal.

So here is this ‘chhaya geet’ and ‘mental massage’ song talking of chaand raat.


Song-Chaand raat hai tu bhi saathh hai (Kismat)(1956) Singers-Asha Bhonsle, Rafi, Lyrics-Indeewar, MD-Chitragupta
Both

Lyrics

Chaand raat hai ae
tu bhi saathh hai
keh de ae sanam
dil mein kya baat hai ae
chaand raat hai ae

sunte rahen ham
yunhi tum kaho
aankhone ke tum
saamne hi raho o

sunte rahen ham
yunhi tum kaho o
aankhon ke tum
saamne hi raho

tum ko dekh kar
kab bhari nazar
ham ko kya khabar
tum mein kya baat hai ae
chaand raat hai

betaabiyaan phir
badhaate ho kyun

tum iss tarah
muskuraate ho kyun
betaabiyaan phir
badhaate ho kyun

tum iss tarah
muskuraate ho kyun
teer chal gaye ae
dil machal gaye
jeet husn ki
ishq ki maat hai ae
chaand raat hai

rangeen nazaare
ishaare jawaan
aankhon mein ik pyaar ki daastaan
rangeen nazaare
ishaare jawaan
aankhon mein ik pyaar ki daastaan
mujh ko mil gayee ee
zindagi nayee
mere haathh mein
aaj teraa haathh hai ae

chaand raat hai ae
tu bhi saathh hai
keh de ae sanam
dil mein kya baat hai ae
chaand raat hai


Jis raat jaley na parwaane

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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I wanted to write a post to this song as a Tribute to Mehmood on his death anniversay on 23rd July but I missed the date somehow.

This qawwali is special on many counts. First of all it is a composed by Madan Mohan and written by Rajendra Krishan. The film is Sanjog (1961). It is a marathon effort by Rafi Sahab and Asha Bhosle who are trying to outplay each other in this 10 minutes long qawwali. And ” sone pe suhaaga ” is a unique trivia about this song, as both the singers are giving playback to Mehmood, i.e. Mehmood male qawwaal and Mehmood in the guise of a female qawwaal.

We have seen a song where both Lata and Asha are giving playback to a single actor i.e. Ameeta playing a single character in ‘Mere Mehboob’ in a single song here.

The only instance comparable to this is the “jhanak Jhanak Paayal baaje ” song ‘aadha hai chandrama raat aadhi ” where Sandhya has two faces and two get-ups and performing the duet there .

Needless to say that this is a fabulous qawwali and performed well by Mehmood. This happens to be be the last and final song of Sanjog (1961). So one more film to add to the list of films of which all songs are posted and another one for the tally of Asha – Rafi duets. Since the work of writing the lyrics of this song is the difficult part of the job, I thought it prudent write the post too.

Audio

Video

Song-Jis raat jaley na parwaane (Sanjog)(1961) Singers-Rafi, Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Madan Mohan
Female Chorus
Male chorus
All chorus

Lyrics

aaaa aaaa
aaa aaaa
aaa aaa aaa
aaa aaa aaa
aaa aaa
aaa aaa
aaa aaa
aaa aaaa
aaa aaa

waah waah
jab talak jal rahe hain parwaane ae
pyaar ki daastaan
chaley hi chaley ae ae
subhaan allah
aadab arz hai

aaaa aaa aaa
ishq ko kya mitaayega koi ee
ishq ka kaarwaan chaley hi chaley ae ae ae ae

aaa aaa aaaa
jis
raat
jaley na
parwaane
jis raat jaley na parwaane
aisi to koi bhi
raat nahin
aisi to koi bhi raat nahin
jis raat jaley na

aeji haan haay
jis raat jale na
aaaa aaa aaa
jis raat jale na
aaaa aaa
jis raat jaley na parwaane
aisi to koi bhi raat nahin
ik jalta hai
ik jalta hai
jalta hai
jalta hai

aaa aaa aaa aaa
ik jalta hai
sau aate hain
do chaar yaa dass ki
baat nahin
do chaar yaa dass ki baat nahin

jis raat jale na parwaane
aisi to koi bhi raat nahin
aisi to koi bhi raat nahin

aaaaaa aaaa aaa
kya cheez hai yeh ulfat ki jalan
poochho ye kisi dilwaale se
kya cheez hai yeh ulfat ki jalan
poochho ye kisi dilwaale se

aaaa aaa
poochho ye kisi dilwaale se
aaaa aaaa
puchho ye kisi dilwaale se
aaaa aaaa
tere liye nazar se zamaana gira diya
ahaa haa haa haa
haaye tujhko bassa ke dil mein
jahaan ko bhula diya
waaah waah waah
jab teri rehguzar mein ae ae ae
aaaaa aaaaa
jab teri rehguzar mein
andhera huwa kabhi ee ee
to phir kya kiya
aji mil na saka charaag to
dil hi jala diya
kya dil jalaaya hai mehmood saab
dilwaale jalte jaayenge
is raah pe chalte jaayenge
fariyaad na lab par aayegi
ho o o o o o
gham seenon mein palte jaayenge

ji dilwaale jalte jaayenge
is raah pe chalte jaayenge

aaaaa aaaa aaaa
aaaa aaa aaa aaa
zaalim tere vaadon ka kya hai ae ae
zaalim tere vaadon ka kya hai
wo hashr pe talte jaayenge
ji dil waale jalte jalte jayenge
is raah pe chalte jayenge

allah ke aage bhi lekin
shiqwe na karenge ham tera
tu daad hamaare sabr ki le
ham phir bhi bharenge dam tera

kya cheez hain yeh ulfat ki jalan
poochho ye kisi dilwaale se

aaaa aaa
poochho ye kisi dilwaale se
iss ishq ke dukhde kaun gine
iss ishq ke
ishq ke
ishq ke

aaaa aaaa aaa
iss ishq ke dukhde kaun gine
kaun gine
kaun gine
ji iss ishq ke dukhde kaun gine
do chaar ya dass ki
baat nahin
do chaar ya dass ki baat nahin
jis raat jaley na parwaane
aise to koi bhi raat nahin
aise to koi bhi raat nahin

aaa aaa aaa
aaa aaa aaa
tum dar se uthhaate ho kisko
yeh yaad rahe
yeh yaad rahe

tum dar se uthhaate ho kisko
yeh yaad rahe
yeh yaad rahe

aaaaa aaaa
yeh yaad rahe
yeh yaad rahe

aa aa aa aa
yeh yaad rahe
yeh yaad rahe

aaa aaa aa aaa
aji yeh yaad rahe
aji yeh yaad rahe
yeh yaad rahe
ham aashiq hain
parwaane ka seena rakhte hain
jeene ke saleeqa aata hai
marne ka kareena rakhte hain
aji yeh yaad rahe
aji yeh yaad rahe

ahaaa
yeh yaad rahe
yeh yaad rahe
yeh yaad rahe

magar yeh yaad rahe
aji yeh yaad rahe

ho o o
marne hi hamaari manzil hai
manzil se daraate ho kis ko

ji manzil se daraate ho kis ko
o o o o
iss dar ki raunak hamse hai
tum dar se uthathe ho kisko

ho tum dar se uthaate ho kisko

aaaaaa aaaa
aaa aa aaa
ham uthhke chale to jaayenge
aur laut ke phir nahin aayenge
mar jaayenge
mar jaayenge
mar jaaaayenge
magar yeh yaad rahe
aji yeh yaad rahe

aaaaa aaa aaa aaa
aaa aaa aaa aaa
aaa aaa aaa aaa
ae dil e zaar
tere haal pe chhoda tujhko
chaaraagar ho gaye
laachaaar to chaara kya hai

aaaaa aaa aaa
aaa aaa aaa aa
aaa aaa
o sitamgar
tujhe ye log na jeene denge
ham to mar jaayenge bemaut
hamaara kya hai
magar yeh yaad rahe
aji yeh yaad rahe

aaaaa aaa
ham uthh ke chale to jaayenge
aur laut ke phir na aayenge
mar jaayenge
mar jaayenge

lekin o sitamgar
aaa aa
lekin o sitamgar yaad rahe
lekin o sitamgar yaad rahe

ga ma pa
ga ma pa dha
ma pa dha ni
pa dha ni sa
ni sa
….
pa dha ni sa
…..
pa ma re ga sa
yaad rahe

lekin o sitamgar yaad rahe
lekin o sitamgar yaad rahe

yaad rahe
aji yeh yaad rahe
magar yeh yaad rahe
sitamgar yaad rahe

tum dar se uthhaate ho kisko
yeh yaad rahe
yeh yaad rahe

aaaa
yeh yaad rahe
yeh yaad rahe

hai shehar ka shehar hi deewaana
hai shehar ka shehar hi deewaana deewaana
shehar ka shehar hi

aaaaa
hai shehar ka shehar hi deewana
deewaana deewaana

haanji hai sehar ka shehari hi diwana
do chaar ya dass ki baat nahin
do chaar ya dass ki baat nahin
jis raat jaley na parwaane
aisee to koi bhi raat nahin
aisee to koi bhi raat nahin
ik jalta hai sau aate hain
do chaar ya dass ki baat nahin
do chaar ya dass ki baat nahin
jis raat jale na parwaane ae ae


Ho Jameela chhammakchhalo

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We in this blog often come across milestones. The most common milestone is century of songs which occurs after every one hundred songs and so far we have had 101 such centuries.

Then we have centuries by artists and also centuries by contributors. 70 artists have reached their centuries (with many of them notching up multiple centuries). Contributors to this blog have also notched centuries and there have been twelve such centurions in the blog.

Then we have milestones that are rather more complex or farfetched, if one may say so. For instance, we have had centuries of duet songs sung by combinations like Rafi-Asha Bhonsle(381), Rafi-Lata (319), Kishore Kumar (154), Kishore Kumar-Asha Bhonsle (149), Mukesh-Lata (127) etc. We even had centuries of songs picturised on one artist, but such combinations tend to go unnoticed. For instance, there have been more than one hundred songs picturised on Helen-officially 186, but the figure could well be over 200, if we review all the songs in the blog.

This song marks yet another farfetched / derived kind of century for the blog. With this song, as many as FIVE HUNDRED movies now have all their songs covered in the blog. It is a fantastic achievement indeed. These FIVE HUNDRED movies cover 3687 songs.

To put things in perspective, this blog has songs from nearly 3000 Hindi movies. There have been just over 6000 movies in all from 1931 till 1980 (the period of interest for this blog). So one can say that almost 50% of all Hindi movies released till 1980 are represented in this blog and that nearly 8 % of all Hindi movies between 1931 to 1950 have all their songs available in the blog. It is a small but very significant figure. Attempts to list all the songs of HFM have been made (in the form of HFGK), but going to a more microscopic level and exploring the songs as listed in HFGK in a systematic manner is an attempt that has been made only in this blog to the best of my knowledge. In the process we have discovered songs that we found were incorrectly reported in the song list, and we also discovered songs that were presumed extinct. We sometimes discovered gems that had not been revisited by music lovers from the time they were released and were duly forgotten.

With passage of time, the activities of this blog have become rather more complex than the simple days of the past. These days we try to achieve several targets at the same time and with time we actually achieve them.

The idea of covering all songs of movies came up in 2012 when Mr Arunkumar Deshmukh, our beloved inhouse encyclopaedia undertook the onerous task of going through the entire list of songs (moviewise) in this blog and comparing the list with the HFGK list to find out which songs of the concerned movies were left out. This list turned out to be extremely useful and we began to cover all the songs of movies in a more planned and conscious way. Such movies that had all their songs covered in the blog were then colored orange to distinguish them from the other movies that still had some songs left to be covered.

In just under two years, we now have 500 movies with all their songs covered. And this figure will keep on getting surpassed with every coming day.

And what is the song that I have chosen to mark the occasion ?

I found it a fascinating song from the very first time that I heard (and watched) it. And I watched this song for the first time only recently, 43 years after this song was created ! I had never heard (or watched) this song before. In fact I was not even aware of the existence of this song. Not that this song is from an unknown movie. This song is from “Parwaana” (1971) and this movie has some well known songs in it viz.
Jis din se maine tumko dekha hai, Piyaa ki gali laage bhali, Simti si sharmaayi si and Yoon na sharmaa phailaade apni gori gori baanhen.

This song from “Parwaana”(1971) is sung by Asha Bhonsle and Rafi. Kaifi Azmi is the lyricist. Music is composed by Madan Mohan.

The song is sung superbly by Asha Bhonsle and Rafi, but it is the picturisation of this song that takes one’s breath away. The song is picturised as a get together song where a hijaab clad Yogita Bali and Amitabh Bachchan lip sync this song in afamily gathering (I guess). The picturisation of this song, coupled with the playback singing is simply out of this world. It surprised me no end that a song of such class should end up as a totally forgotten song.

Every time we cover all the songs of a movie in the blog, we expect to see a remark coming from down south that goes “YIPPEE” and another remark from the west that congratulates me and the lyrics sender on the occasion. Prakashchandra it is who sent me the lyrics of this fantastic song.

Pradeep Raghunathan, the originator of the “YIPPEE” celebration had taken up the task of tagging the songs of movies where all songs have been covered. The last time I was informed (a couple of days back), as many as 440 such movies were covered and Pradeep Raghunathan was threatening to catch up with all the YIPPEED movies before we touched this landmark of 500 ! I am happy that I managed to just keep ahead of the stiff competition, :)

With this sixth and final song from “Parwaana” (1971), we now have 500 movies that have all their songs covered in the blog. It is quite a wonderful milestone for the blog and I am sure that this calls for a major YIPPEE from our followers.


Song-O jameela chhamak chhalo (Parwaana)(1971) Singers-Asha Bhonsle, Rafi, Lyrics-Kaifi Azmi, MD-Madan Mohan

Lyrics(Provided by Prakashchandra)

o basheera
o jameelaaa

ho jameela chhamakchhalo
jameela
rukh se parda hata de
ho jameela
meri bulbul
jameela
zara jalwa dikha de

o basheera
mere baanke basheera
lagi dil ki bujha de
haay haay basheera
mere pyaare basheera
meri duniya basa de
haaye basheera

hallu hallu se pallu kholna
kyun basheera
hallu hallu se pallu kholna
na basheera
gore gaalon ki kasam
kaale baalon ki kasam
mehke aanchal ki kasam
udte baadal ki kasam
hoy dil kee dhadkan ki kasam
mehke daaman ki kasam
jaage jaadu ki kasam
surkh pallu ki kasam
pallu jo kholoongee
deewaane lut jaayenge
lut jaane do
aaha ha ha ha
pallu jo kholoonge
parwaane lut jaane do
arre lut jaane do
aaj husn o ada ka khazaana luta de
bana de jahaan ko deewana bana de
haaye jameela
jameela
jameela
hoye jameela chhamakchallo
jameela
rukh se parda hata de

haaye haaye basheera
mere baanke basheera
lagi dil ki bujha de
haaye basheera

mujhse jo chheenega tujhko zamaana
to kya karoge
haan
aaya jo banke koi tera deewaana

to kya karoge
tere liye jaan ki baazi laga doonga
uyi tauba
ho tere liye ye jawaani ganwa doonga
uyi tauba
mera dildaar hai tu
sun mera pyaar hai tu
chakku ki dhaar hai tu
tez talwaar hai tu
le le dil tujhko diya
tujhpe qurbaan kiya
tu hi sanam mera
tu hi to mera piya
mera husn bhi tera
ye jawaani bhi teri
jaga de
mere soye huye armaan jaga de
oy baheera
basheera
basheera
oy basheera
mere baanke basheera
lagi dil ki bujha de
haaye jameela
chhammakchhalo
jameela
rukh se parda hata de
hoy jameela
meri bulbul
jameela
zara jalwa dikha de

hoy basheera
hata diya
achcha kiya


Mere dil mein aane waale mujhko pyaar sikhaane waale

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“Baap Bete” (1959) was directed by Raja Paranjpe for A V M Productions, Madras. The movie had Ashok Kumar, Shyama, Chitra, Baburao Pendharkar, Kanhaiyalal, Lalita Pawar, Jagdeep, Ramesh Rao, Vinod Sharma, Krishnakant, Nana Palsikar, Jagdish Raj, V D Puranik, Vasant Ghorpade, Rajendra Kumar Singh etc in it.

Five songs from this movie have been discussed in the past.

Here is the sixth song from the movie. This song is sung by Rafi and Asha Bhonsle. The lady lip syncing in Asha Bhonsle’s voice is Chitra I guess but I am unable to identify the gentleman. I request our knowledgeable readers to help identify him.
PS-The actor is Jagdeep, as pointed out by several readers.

Rajinder Krishan is the lyricist of this song with some Hinglish content in it. Music is composed by Madan Mohan.

Lyrics of this song were sent to me by Nitin Shah.


Song-Mere dil mein aane waale (Baap Bete)(1959) Singers-Rafi, Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Madan Mohan

Lyrics(Provided by Nitin Shah)

mere dil mein aane waale
mujhko pyaar sikhaane waale
mere dil ki taraf se
many many thanks
meethe baan chalaane waale
meri neend churaane waale
mere dil ki taraf se
many many many many thanks

teri zulfon ke naag mujhe dass gaye
mere khwaabon mein tum bhi to hans gaye
teri zulfon ke naag mujhe dass gaye
mere khwaabon mein tum bhi to hans gaye
aji ham tum se tum ham se phans gaye
meethe baan chalaane wale
meri neend churaane waale
mere dil ki taraf se
many many thanks

ho mere dil mein aane waale
mujhko pyaar seekhane waale
mere dil ki taraf se
many many many many thanks

jaadu nazron ka dil par ho gaya
ek chutki mein pehlu se wo kho gaya
jaadu najron ka dil par ho gaya
ek chutki mein pehlu se wo kho gaya
chalo achha hua jo bhi ho gaya
mere dil mein aane waale
mujhko pyaar sikhaane waale
mere dil ki taraf se
many many thanks
meethe baan chalaane waale
meri neend churaane waale
mere dil ki taraf se
many many many many thanks

hum to bhookhe hain duniya mein pyaar ke
hum bhi baithe huye hain dil haar ke
haaye hum to bhookhe hai duniya mein pyaar ke
hum bhi baithe huye hain dil haar ke
to aao ho jaaye vaade itwaar ke
meethe baan chalaane waale
meri neend churaane waale
mere dil ki taraf se
many many thanks

ho mere dil me aane waale
mujhko pyaar sikhane waale
mere dil ki taraf se
many many many many thanks
lalalalalaala (hmm hmm hmm)
lalalaalalala(hmm hmm hmm)
lalalaalalalalalala(hmm hmm hmm)


Saanson mein kabhi dil mein kabhi nazron mein raha karna

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rafi Sb – In The Seventies – 4
– – – – – – – – – – – – – – – – – – – – -

(1972 – Duet)

Here is the duet that I have selected from 1972. Another peerless and lovely memory from the radio listening days. A song that is softly composed and softly rendered in a leisurely pace. Asha Bhosle accompanies Rafi Sb in the singing. The film is ‘Parchhaaiyaan’, the lyrics are by Majrooh Sultanpuri and the music composition is by RD Burman. On screen, this song is performed by Vinod Khanna, a new comer heroine, Reshma. A name that I am not familiar with at all. Apparently she appeared in not many films. Given the on screen presence, it is likely she did not make any lasting impressions at all.

Vinod Khanna had made his debut in 1968 (film ‘Man Ka Meet’ from Sunil Dutt’s Ajanta Arts). He was still a rising star, somewhat unfamiliar as a hero. In the three years before this film, he has appeared in many films, but mostly as supporting roles, or in the role of a villain – remember Jabbar Singh in ‘Mera Gaon Mera Desh’ (1971). This film could well be one his very first films as a hero.

Once again, a song that has remained with me after listening on the radio. In any case, opportunities for getting to see films in the theatre used to be rare. Dorodarshan used to be the regular fare for watching films, and they rarely showed recent films. Mostly it used to be the films more than a decade old. So I never did get to see this film. But this song is a treasure of a soft, romantic variety that I remained in the memory. It is a song that I would fancy singing with someone special, or use its lines in love letters. ;) The words are very simple expressions of feelings that go down very deep in the heart. In short verses, Majrooh Sb has expressed what we mortals would write essays for. And the manner in which the lines are rendered makes them even more effective and loveable. A melody from a very different part of RD Burman’s creativity. And a memorable one, I must add.

A lovely song that is so easy to fall in love with. Listen and enjoy.


song-Saanson mein kabhi dil mein kabhi nazron mein raha karna (Parchhaaiyaan)(1972) Singers-Rafi, Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics

saanson mein kabhi
dil mein kabhi
nazron mein rahaa karna
jag bairi ho to kya
tum humse wafaa karna
saanson mein kabhi
dil mein kabhi
nazron mein rahaa karna
jag bairi ho to kya
tum hamse wafaa karna

jaane pyaar nibhaana
deewaane dil ki lagi ke ae ae
jaane pyaar nibhaana aa
deewaane dil ki lagi ke
kya hai mohabbat
zamaana humse ye seekhe
pyaar hum ne kiya
pyaar humko sadaa karnaa
saanson mein kabhi
dil mein kabhi
nazron mein rahaa karna
jag bairi ho to kya
tum hamse wafaa karna

aaye khushiyon ka mausam
aa haa
ke aaye gham ka maheena aa
aaye khushiyon ka mausam
aa haa
ke aaye gham ka maheena
tumhi pe marnaa
tumhaare sang hi hai jeena

kabhi hoyen naa judaa
bas itni duaa karna
o o o
saanson mein kabhi
dil mein kabhi
nazron mein rahaa karna
jag bairi ho to kya
tum hamse wafaa karna

jag bairi ho to kya
tum hamse wafaa karna
la la la la la la la

hmm mmm mmm mmm
mmm mmmmm mmm mmm mmmm
la la la la la la la
hmm mmm mmm mmm
mmm mmmmm mmm mmm mmmm

———————————————–
Hindi script lyrics (Provided by Sudhir)
———————————————–

साँसों में कभी
दिल में कभी
नज़रों में रहा करना
जग बैरी हो तो क्या
तुम हमसे वफा करना
साँसों में कभी
दिल में कभी
नज़रों में रहा करना
जग बैरी हो तो क्या
तुम हमसे वफा करना

जाने प्यार निभाना
दीवाने दिल की लगी के
जाने प्यार निभाना
दीवाने दिल की लगी के
क्या है मोहब्बत
ज़माना हमसे ये सीखे
प्यार हमने किया
प्यार हमको सदा करना
साँसों में कभी
दिल में कभी
नज़रों में रहा करना
जग बैरी हो तो क्या
तुम हमसे वफा करना

आए खुशियों का मौसम
आ हा
या आए ग़म का महीना
आए खुशियों का मौसम
आ हा हा
या आए ग़म का महीना
तुम्ही पे मरना
तुम्हारे संग संग है जीना

कभी होएँ ना जुदा
बस इतनी दुआ करना
ओ ओ ओ
साँसों में कभी
दिल में कभी
नज़रों में रहा करना
जग बैरी हो तो क्या
तुम हमसे वफा करना

जग बैरी हो तो क्या
तुम हमसे वफा करना
ल ल ल ल ल ल ला

ह्म्म मम्मम मम्मम मम्मम
मम्म मम्ममम मम्म मम्म मम्ममम
ल ल ल ल ल ल ला
ह्म्म मम्मम मम्मम मम्मम
मम्म मम्ममम मम्म मम्म मम्ममम



Kha kar toone paan

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rafi Sb – In The Seventies – 6
– – – – – – – – – – – – – – – – – – – – -

(1973 – Duet)

The duet selection for 1973 is composed by an old time stalwart – OP Nayyar. The music from the film ‘Taxi Driver’ made quite a splash on the radio waves, when it was released, especially the Krishan Kalle number “Pyaar Karte Ho Yaar, Karke Darte Ho Yaar” and the peppy Asha Bhosle number “Baalam Harjaai, Jaa Main To Aankh Milaa Pachhtaai”. This duet was also famously heard on the radio frequently.

Since these were recent pictures, they would not be aired on Doordarshan, and since they were not A grade films, a family outing to watch them was not possible. And so films like this remained out of mind out of sight, till my collection years, which is about the last decade or so. And so, good in some ways that I did not get to see this film when it was released. But this song has always served well in memory. There is a very familiar touch of OP Nayyar in the melody, even tracking down the words. One line in this song goes

kurta jaalidaar
pajama us pe churidaar

giving a quick reminder of the 1957 song from ‘Naya Daur’ (also by OP Nayyar)

reshmi salwaar kurta jaali da

The words of this song are written by Farooque Kaiser. The voice accompanying Rafi Sb is that of Asha Bhosle. On screen, this song is performed by Vishal Anand and Anupama. A very catchy and lilting tune, a song that is a sweet reminder of what melody used to be. Listen and enjoy.


Song-Khaa kar tu ne paan (Taxi Driver)(1973) Singers-Rafi, Asha Bhonsle, Lyrics-Farooque Kaiser, Md-O P Nayyar

Lyrics

khaa kar tu ne paan
oye hoye
kha kar
haaye
khaa kar tu ne paan kasam se
le li meri jaan
tere main sadke jaan
haaye
khaa kar tu ne paan kasam se
le li meri jaan
tere main sadke jaan
haaye
rabbaa teri shaan
oye hoye rabbaa
haaye
rabbaa teri shaan
mera bhi dol gayaa imaan
tere main sadke jaan
haaye

khaa kar tu ne paan kasam se
le li meri jaan
tere main sadke jaan
haaye
khaa kar tu ne paan

honthon ko laali choome
maathe pe latt ye jhoome
bijli giri giri
bijli giri giri
hosh rahenge udd ke
dekho naa humko mud ke
sajnaa ghadi ghadi
sajnaa ghadi ghadi

oye hoye oye hoye
kurta jaalidaar
pajama us pe churidaar
tere main sadke jaan
haaye
rabbaa teri shaan
mera bhi dol gayaa imaan
tere main sadke jaan
haaye

khaa kar tu ne paan

din raat ankhiyaan meenche
sajnaa main tere peechhe
phiroongi gali gali
phiroongi gali gali

tera badan gora
main bhi jawaan chhora
duniya jali jali
duniya jali jali
oye hoye oye hoye
bainyaan meri thaam
balaa se ho jaaun badnaam
tere main sadke jaan
haaye

khaa kar tu ne paan kasam se
le li meri jaan
tere main sadke jaan
haaye
khaa kar tu ne paan

ban ke main ranjhaa aaya
pyaar gulaabi laaya
mujh sa koi nahin
mujh sa koi nahin
hoon main bhi heer teri
sachchi hai preet meri
tujh sa koi nahin
tujh sa koi nahin

oye hoye oye hoye
tere jaisa yaar milaa hai
mujhko pehli baar
tere main sadke jaan
haaye
rabbaa teri shaan
mera bhi dol gayaa imaan
tere main sadke jaan
haaye

khaa kar tu ne paan kasam se
le li meri jaan
tere main sadke jaan
haaye
khaa kar tu ne paan

——————————————–
Hindi script lyrics (Provided by Sudhir)
——————————————–

खा कर तूने पान
ओए होये खा कर
हाय
खा कर तूने पान कसम से
ले ली मेरी जान
तेरे मैं सदके जां
हाय
खा कर तूने पान कसम से
ले ली मेरी जान
तेरे मैं सदके जां
हाय
रब्बा तेरी शान
ओए होये रब्बा
हाय
रब्बा तेरी शान
मेरा भी डॉल गया ईमान
तेरे मैं सदके जां
हाय

खा कर तूने पान कसम से
ले ली मेरी जान
तेरे मैं सदके जां
हाय
खा कर तूने पान

होठों को लाली चूमे
माथे पे लट ये झूमे
बिजली गिरी गिरी
बिजली गिरी गिरी
होश रहेंगे उड़ के
देखो न हमको मुड़ के
सजना घड़ी घड़ी
सजना घड़ी घड़ी

ओए होये ओए होये
कुर्ता जालीदार
पाजामा उस पे चूड़ीदार
तेरे मैं सदके जां
हाय
रब्बा तेरी शान
मेरा भी डॉल गया ईमान
तेरे मैं सदके जां
हाय

खा कर तूने पान

दिन रात अखियान मीचे
सजना मैं तेरे पीछे
फिरूंगी गली गली
फिरूंगी गली गली

तेरा बदन गोरा
मैं भी जवान छोरा
दुनिया जली जली
दुनिया जली जली
ओए होये ओए होये
बंईयान मेरी थाम
बला से हो जाऊन बदनाम
तेरे मैं सदके जां
हाय

खा कर तूने पान कसम से
ले ली मेरी जान
तेरे मैं सदके जां
हाय
खा कर तूने पान

बन कर मैं राँझा आया
प्यार गुलाबी लाया
मुझ सा कोई नहीं
मुझ सा कोई नहीं
ूँ मैं भी हीर तेरी
सच्ची है प्रीत मेरी
तुझ सा कोई नहीं
तुझ सा कोई नहीं

ओए होये ओए होये
तेरे जैसा यार
मिला है मुझको पहली बार
तेरे मैं सदके जां
हाय
रब्बा तेरी शान
मेरा भी डॉल गया ईमान
तेरे मैं सदके जां
हाय

खा कर तूने पान कसम से
ले ली मेरी जान
तेरे मैं सदके जां
हाय
खा कर तूने पान


Ib lagan lagi kya karna

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rafi Sb – In The Seventies – 10
– – – – – – – – – – – – – – – – – – – – – -

(1975 – Duet)

One more year, and one more delectable duet to listen to. The film is ‘Lafange’ from 1975. This film also makes its debut on this blog today.

The words are from the pen of Anand Bakshi and the music is by Laxmikant Pyaarelal. The lyricist and the music director were in the peak of their careers and were counted amongst the top in their respective fields at that time. Together they have created this lovely duet, in which Asha ji joins Rafi Sb in the rendering.

On screen, the song is picturized on Mumtaz and Randhir Kapoor. The visual is somewhat of a disappointment. The persona of Randhir Kapoor just does not seem to jell with the tone and the emotions of this song. Is the director required to share the blame? Maybe so. Randhir’s lines start with a brief alaap. And of all the things, one sees him running across the green holding a flower in his hand. Now that is a most unlikely way in which an alaap is to be presented. After that, the feeling in mind is – just close the eyes and listen to the audio :).

On screen antics notwithstanding, this is another of those memorable duets that have stayed in the mind since the radio listening days. Just the mukhdaa itself steals away the heart – “Ib Lagan Lagi Kya Karna, Ib Lagan Lagi”.

Listen and enjoy.


Song-Ib lagan lagi kya karna (Lafange)(1975) Singers-Asha Bhonsle, Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

ib lagan lagee. . .
lagan lagee
kya karna
ib lagan lagi kya karna
ib lagan lagi
ib lagan lagi kya karna
ib lagan lagi
ib lagan lagi kya karna
ib lagan lagi
mushkil hai jeena marnaa
ib lagan lagi
ib lagan lagi
haan lagan lagi
haan haan lagan lagi kya karna
ib lagan lagi

main jogan
tum mere jogi
main jogan
tum mere jogi
hum dono hain prem ke rogi ee ee
duniya mein badnaami hogi
badnaami se kya darnaa
badnaami se kya darnaa
ib lagan lagi ee ee
mushkil hai jeena marnaa
ib lagan lagi
ib lagan lagi
haan lagan lagi
haan haan lagan lagi kya karna
ib lagan lagi

oo ooo oooooo
oooooo ooo oooo
ooo oooo ooooo oooo
paagal premee ee
ban gaye hum do o o
paagal premi
ban gaye hum do
log sabab iska poochhen to o o
main doonga ilzaam tumko o o
tum mujh pe tohmat dharna
tum mujh pe tohmat dharna
ib lagan lagi ee ee
mushkil hai jeena marnaa
ib lagan lagi
ib lagan lagi
haan lagan lagi
aahaan lagan lagi kya karna

ib lagan lagi
ib lagan lagi kya karna
ib lagan lagi

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————
इब लगन लगी॰ ॰ईsss
लगन लगीss
क्या करना
इब लगन लगी क्या करना
इब लगन लगी
इब लगन लगी क्या करना
इब लगन लगी
इब लगन लगी क्या करना
इब लगन लगी
मुश्किल है जीना मरना
इब लगन लगी
इब लगन लगी
हाँ लगन लगी
हाँ हाँ लगन लगी क्या करना
इब लगन लगी

मैं जोगन॰ ॰
तुम मेरे जोगी
मैं जोगन
तुम मेरे जोगी
हम दोनों हैं प्रेम के रोगी
दुनिया में बदनामी होगी
बदनामी से क्या डरना
बदनामी से क्या डरना
इब लगन लगी
मुश्किल है जीना मरना
इब लगन लगी
इब लगन लगी
हाँ लगन लगी
हाँ हाँ लगन लगी क्या करना
इब लगन लगी

ओ ओss ओsssss
ओssss ओss ओsss
ओs ओss ओsss ओss
ओsss ओss
पागल प्रेमी॰ ॰
बन गए हम दो
पागल प्रेमी
बन गए हम दो
लोग सबब इसका पूछें तो
मैं दूँगा इल्ज़ाम तुमको
तुम मुझपे तोहमत धरना
तुम मुझपे तोहमत धरना
इब लगन लगी
मुश्किल है जीना मरना
इब लगन लगी
इब लगन लगी
हाँ लगन लगी
आहाँ लगन लगी क्या करना
इब लगन लगी

इब लगन लगी क्या करना
इब लगन लगी


Main dhoondhti hoon kahaan ho sanam

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shreemati 420″(1956) was produced and directed by G P Sippy. The movie had Meena Shorey, Johny Walker, Om Prakash, Kamal, Rajan Kapoor, Maya Das, Helen, Hari Shivdasani, Manorama, Baby Shashi, Uma Dutt, Ratan Gaurang etc in it.

Today (14 september 2014) is the 110th birth anniversary of G P Sippy (14 september 1914- 25 december 2007). To most people he is known as the producer of the blockbuster “Sholay” (1975). He had produced some other well known movies as well, viz. “Bhahamchari” (1968), “Andaaz” (1971), “Seeta Aur Geeta” (1972), “Saagar” (1985) etc.

On this occasion, here is song from “Shreemati 420″(1956). This song is sung by Asha Bhonsle and Rafi. Majrooh Sultanpuri is the lyricist. Music is composed by O P Nayyar.

Only the audio of this song is available. according to Rafi excel sheet, this song was picturised on Johny Walker and Meena Shorey. I notice that this movie had two more duets of Rafi with other female singers-viz one with Shamshad Begam and another with Geeta Dutt and these duets were also picturised on the same lead pair of Johny Walker and Meena Shorey.

Lyrics of this song were sent to me by Prakashchandra.


Song-Main dhoondhti hoon kahaan ho sanam (Shreemati 420)(1956) Singers-Asha Bhonsle, Rafi, Lyrics-Majrooh Sultanpuri, MD-O P Nayyar

Lyrics(Provided by Prakashchandra)

main dhoondhti hoon kahaan ho sanam
nazar nazar behak rahi hai aa
jhoomke gaa rahi hai zindagi
ek bas teri kamee hai sanam
pukaarta hai dil tujhe sanam sanam
nazar nazar chhehak rahi hai aa
chhed de mastiyon ki raagini
main hoon jab tere liye toh kyaa hai gham

ye fizaa ye raat ki jawaniyaan
tere mere pyaar ki kahaaniyaan
ye fizaa ye raat ki jawaaniyaan
tere mere pyaar ki kahaaniyaan
meharbaan tumhaari meharbaaniyaan
jeete hain tere liye khuda kasam
meharbaan tumhaari meharbaaniyaan
jeete hain tere liye khuda kasam

main dhoondhti hoon kahan ho sanam
nazar nazar behak rahi hai aaa
jhoomke gaa rahi hai zindagi
ek bas teri kami hai sanam
pukaarta hai dil tujhe sanam sanam
nazar nazar chhehak rahi hai aaa
chhed de mastiyon ki raagini
main hoon jab tere liye toh kyaa hai gham

husn ka nikhaar hai tere liye
zulf ki bahaar hai tere liye
husn ka nikhaar hai tere liye
zulf ki bahaar hai tere liye
aur ye khaaksaar hai tere liye
shikwe sab mitaa diye khuda kasam
aur ye khaaksaar hai tere liye
shikwe sab mitaa diye khuda kasam

main dhoondhthi hoon kahan ho sanam
nazar nazar behak rahi hai aa
jhoomke gaa rahi hai zindagi
ek bas teri kami hai sanam


Chaand nikla bhi nahin aur chaandni hai saamne

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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

———————————
Chaandni Raaten – Song No. 7
———————————-
Song No. 7 of the series is a Rafi-Asha duet from the film ‘Bhai Behan(1969). In the list of songs moviewise, there are two movies of same name ‘Bhai Behan ‘(1950) & ‘Bhai Behan’ (1959). So this movie of 1969 is making a debut in the blog with this chaand and chaandni song.

The song is picturized as a romantic song on Sunil Dutt and Nutan, in a white sari, so that she can be compared to the chaandni. This is one of the two Rafi-Asha duets in a music score dominated by Asha Bhonsle. Rajendra Krishan is the lyricist and Shankar Jaikishan are the composers. I thought most of S-J films must have appeared in the blog, so this is a surprise that this movie was still left in the lurch.

There are a few Rafi-Asha duets in my list of Chaandni Raaten songs. I had planned to send a post on the occasion of Asha Bhonsle’s birthday on 8th September, but somehow I seemed to have missed my cue. Anyway I am not the only one missing the cue :-) .


Song-Chaand nikla bhi nahin aur chaandni hai saamne (Bhai Behan)(1969) Singers-Rafi, Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Shankar Jaikishan

Lyrics

Chaand nikla bhi nahin aur
chaandni hai saamne
chaand niklaa bhi nahin aur chaandni hai saamne
main giraa haay
main giraa koyi
aaye mujh ko thhaamne ae
chaand nikla bhi nahin aur
chaandni hai saaamne ae

aaj yehaan kal jaane kahaan
chaand badaa harjaayi hai
phir bhi pagle panchhi ne
chaand se preet lagaayi hai
haay chaand se preet lagaayi hai

chaand niklaa bhi nahin aur chaandni hai saamne
main giraa haay
main giraa koyi
aaye mujh ko thhaamne ae
chaand nikla bhi nahin aur
chaandni hai saaamne ae

tum jo bano
ek shama’a
main parwaana ban jaaun
ek ishaara aa
tum kar do
main deewaana ban jaaun
main deewaana ban jaaun
haay haay haay haay
chaand niklaa bhi nahin aur chaandni hai saamne
achha
main giraa haay
haay haay haay
main giraa koyi
aaye mujh ko thhaamne ae
haay
chaand nikla bhi nahin aur
chaandni hai saamne ae

behlaao yun na sanam
pyar ki jhooti qasmon se
ham anjaane laakh sahee
waaqif hain in rasmon se
haay
waaqif hain in rasmon se

chaand niklaa bhi nahin aur chaandni hai saamne
ah haa
main giraa haay
oye hoy
main giraa koyi
aaye mujh ko thhaamne ae
ha aa haa
chaand nikla bhi nahin aur
chaandni hai saamne ae
main giraa haay
ho ho ho
main giraa koyi
aaye mujh ko thhaamne ae
hoy
chaand nikla bhi nahin aur
chaandni hai saamne ae


Tere ishq ka mujhpe hua ye asar hai

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

= = = == == = = = = = = = = = = = =
Rafi Sb – In The Seventies – 12
– – – – – – – – – – – – – – – – – – – – – -

(1976 – Duet)

If nothing else, producer director Rajkumar Kohli has made a place in memory and in records, for producing films that have a huge galaxy of stars working together. I cannot easily recall any other producer director having pulled of this feat. In this film, ‘Naagin’, the star cast is a veritable milky way with the presence of Sunil Dutt, Feroz Khan, Sanjay, Jeetendra, Kabir Bedi, Vinod Mehra, Anil Dhawan, Premnath, Ranjeet, and Roopesh Kumar , working opposite to Rekha, Reena Roy, Yogita Bali, Mumtaz, Prema Narayan, Aruna Irani, Heena Kausar, Neelam Mehra, Aarti, Anita Guha and Komilla Wirk. And the second line of casting is still to come – Jagdeep, Gulshan Arora, Tun Tun, Sulochana, Maruti, Satish Arora, Rajan Sethi etc.

I remember another film by him, ‘Jaani Dushman’ from 1979, that also has a comparable gathering of heavyweight actors, all together in a single film. I have seen neither of these films, (although they sit in my collection now). I think it should be worth spending time on them, just to see how the director has done justice to the presence of such bevy of mainline stars working together. He can’t even promise one song to each actor. So I decided to check the list of songs of this film. There are four songs (one being in two parts – solo and duet). Interesting thing that I notice is that all four songs start with the same word. The songs are “Tere Sang Pyaar Main Nahin Todna” , “Tera Mera, Mera Tera Mil Gaya Dil Dil Se”, “Tere Mere Yaarane Ho”. And the song in this post.

The pen is wielded by Verma Malik and the music is by Laxmikant Pyaarelal. On screen, the song is performed by Sunil Dutt and Rekha. As it becomes apparent during the video clip itself, the Rekha singing on screen is the not the real Rekha, as we see her later in the same clip driving a car, trying to reach someplace in a hurry, most likely trying to reach Sunil Dutt himself. In the beginning of the clip, as Sunil Dutt opens a cupboard to get a glass of wine, he chances to see the area of the room behind him, in the mirror installed inside the cupboard. In the mirror, we can see a snake writhing on the bed, where Rekha is. As he turns around, he sees Rekha. From his expressions, one can surmise that he has realized he is in the presence of the ‘naagin’, who is the main character in this story. (For the rest of the before and after, have to see the film).

That aside, a lovely duet in which Asha ji accompanies Rafi Sb. A relaxed pace for a relaxed mood.

Listen and enjoy.


Song-Tere ishq ka mujhpe hua ye asar hai (Naagin)(1976) Singers-Rafi, Asha Bhonsle, Lyrics-Verma Malik, MD-Laxmikant Pyarelal

Lyrics

hmm hmm hmm
hmm hmm hmm
aaaaaaaa
aaaaaaaa

tere ishq ka mujhpe hua ye asar hai
tere ishq ka mujhpe hua ye asar hai
na apni khabar hai na dil ki khabar hai
tere ishq ka mujhpe hua ye asar hai
tere ishq ka mujhpe hua ye asar hai
jidhar dekhti hoon tu aata nazar hai
tere ishq ka mujhpe hua ye asar hai

tere ishq ka mujhpe hua ye asar hai

mujhe pyaar aise
tumhaara mila hai
ke galiyon ko jaise
nazaara mila hai

yoon sheeshe mein mujhko
ishaara mila hai
ke toofaan mein jaise
kinaara mila hai ae
teri hi nazar pe ye meri nazar hai
tere ishq ka mujhpe hua ye asar hai
tere ishq ka mujhpe hua ye asar hai

ye jee chaahta hai
o mere sanam
ke do ki jageh
ek ho jaayen hum

tere haath hai maut
aur zindagi
lo ab aa gayi
faisle ki ghadi ee ee
hota nahin ab to mujh se sabar hai
tere ishq ka mujhpe hua ye asar hai
tere ishq ka mujhpe hua ye asar hai

na apni khabar hai na dil ki khabar hai

—————————————————–
Hindi script lyrics (Provided by Sudhir)
—————————————————–

हो हो हो हो
हो हो हो हो हो हो
आ॰॰आsssss
आ॰॰आsssss

तेरे इश्क़ का मुझपे हुआ ये असर है
तेरे इश्क़ का मुझपे हुआ ये असर है
न अपनी खबर है न दिल की खबर है
तेरे इश्क़ का मुझपे हुआ ये असर है
तेरे इश्क़ का मुझपे हुआ ये असर है
जिधर देखती हूँ तू आता नज़र है
तेरे इश्क़ का मुझपे हुआ ये असर है

तेरे इश्क़ का मुझपे हुआ ये असर है

मुझे प्यार ऐसे
तुम्हारा मिला है
के गलियों को जैसे
नज़ारा मिला है

यूं शीशे में मुझको इशारा मिला है
के तूफान में जैसे
किनारा मिला है
तेरी ही नज़र पे ये मेरी नज़र है
तेरे इश्क़ का मुझपे हुआ ये असर है
तेरे इश्क़ का मुझपे हुआ ये असर है

ये जी चाहता है
ओ मेरे सनम
के दो की जगह
एक हो जाएँ हम

तेरे हाथ है मौत
और ज़िंदगी
लो अब आ गई
फैसले की घड़ी
होता नहीं अब तेा मुझ से सबर है
तेरे इश्क़ का मुझपे हुआ ये असर है
तेरे इश्क़ का मुझपे हुआ ये असर है

न अपनी खबर है न दिल की खबर है


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